Salvador Domenec Felip Jacint Dal i Domenech, Marquis de Pubol (May 11, 1904 - January 23, 1989), commonly known as Salvador Dal, was a prominent Spanish Catalan surrealist painter born in Figueres.
Dal was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters. His best-known work hands down is, The Persistence of Memory, which was completed in 1931. Dal's expansive artistic repertoire includes film, sculpture and photography, in addition to a range of artists in a variety of media.
Dal attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental clothes" to a self-styled "Arab lineage," claiming that his ancestors were descended from the Moors which are known as black and/or Arab.
Dal was highly imaginative. To the point that he had an affinity for partaking in unusual behavior. His eccentric manner and attention-grabbing public actions often drew more attention than his artwork many times and to the dismay of those who held his work in high esteem and to the major irritation of his critics.
Gustave Klimt was another well known, famous painter during the same time period as Dali. Gustav Klimt (1862-1918) was one of the most innovative and controversial artists of the early 20th century. The son of an engraver, he studied at the State School of Applied Arts which was located in Vienna. In the 1880's and 1890's, he produced murals for public buildings including Vienna's Burgtheater and new Kunsthistorisches Museum (Art History Museum) -- in the prevailing classical-realist style. Klimt's style grew increasingly experimental and his murals for Vienna University commissioned by the State in 1894, were roundly attacked by critics for their fantastical imagery and their bold, decorative style. Partly in response to this reaction, in 1897 Klimt helped form the Secession, which was a group of artists dedicated to challenging the conservative Academy of Fine Arts. Influenced by European avant-garde movements represented in the annual Secession exhibitions, Klimt's mature style combined with richly decorative surface patterning and complex symbolism and allegory, was often overtly sexual, and erotic.
After 1900, he focused on portraits and landscapes, although he also produced two of his greatest murals during this period. They were... The Beethoven Frieze, exhibited at the Secession in 1902, and decorations for the Palais Stoclet in Brussels (1904-1911). Klimt spent most of his summers on the Attersee, near Salzburg, where he drew inspiration for many of his landscapes, he painted some of his best-known works here, including the famous art, "The Kiss" of 1907-8.
Below Is A List Of All Paintings By Salvador Dali: 1910_01_Landscape Near Figueras, 1910
1913_01_Vilabertrin, 1913
1914_01_Fiesta in Figueres, 1914-16
1914_02_Dutch Interior, 1914
1914_03_Landscape Near Ampurdan, circa 1914
1916_01_Landscape, circa 1916
1916_04_Untitled - Landscape with Animals, circa 1916
1917_01_View of CadaquNs with Shadow of Mount Pani, 1917
1917_02_Crepuscular Old Man, 1917-18
1917_04_CadaquNs, circa 1917
1918_01_Still Life, 1918
1918_02_Portrait of Lucia (Retrato de Lucia), circa 1918
1918_03_Boat, circa 1918
1918_04_Hort del Llane, 1918-19
1918_05_Playa Port Alguer from Riba d'en Pitxot, 1918-19
1918_06_PortdoguN, 1918-19
1918_07_Punta es Baluard de la Riba d'en Pitxot, 1918-19
1918_08_Port of CadaquNs (Night), 1918-19
1918_10_Duck, 1918
1918_12_Sea View, 1918-19
1918_13_Vilabertrin Church Tower, 1918-19
1918_14_Playa Port Alguer De La Riba, D'en Pitxot, 1918-19
1919_01_Portrait of Hortensia, Peasant Woman of CadaquNs, circa 1919
1919_02_Self-Portrait in the Studio, 1919
1919_03_The Tartan 'El Son', circa 1919
1919_05_Landscape (CadaquNs), 1919-20
1919_07_Portrait of Mr. Pancraci, circa 1919
1919_08_Portrait of a Gipsy, 1919
1919_09_Es Pianc, circa 1919
1919_11_The Three Pines, 1919
1919_12_The Port of CadaquNs, circa 1919
1919_13_LlanN Beach, CadaquNs, 1919
1919_14_Port DoguN - CadaquNs, 1919
1919_16_Es Poal - Pianque, 1919-20
1919_17_My Cousin Montserrat, 1919-20
1919_18_Orchard at LlanN (CadaquNs), 1919-20
1919_19_Still Life; Pomegranates, circa 1919
1920_01_View of PortdoguN (Port Aluger), 1920
1920_02_The Lake at Vilabertran, circa 1920
1920_03_Calanque Jonculs (Cadaqus), 1920
1920_04_Landscape, circa 1920
1920_05_Tieta, circa 1920
1920_06_Portrait of the Violoncellist Ricardo Pichot, 1920
1920_07_Portrait of Jose M. Torres, circa 1920
1920_09_View of CadaquNs from Playa Poal, 1920
1920_10_Two Gypsy Lads, 1920-21
1920_11_Saltimbanques, 1920-21
1920_13
1920_14_The Garden of Llaner, 1920-21
1920_15_Small Rocky Bay of Nans (CadaquNs), 1920-21
1920_16_The Vegetable Garden of Llaner, 1920
1920_1921_self-portrait_with_the_neck_of_raphael_010007
1920_24_Grandmother Ana Sewing, circa 1920
1920_25_Portrait of the Artist's Mother, Dofia Felipa Dome Domenech De, DalH, 1920
1920_26
1920_28_Untitled - the Artist in His Studio in Riba D'en Pitxot in CadaquNs, 1920-21
1920_29_Still Life, circa 1920
1920_30_Still Life by a Window, circa 1920
1920_31
1920_32_Moonlight Over the Bay At, CadaquNs, circa 1920
1920_33_Landscape Near CadaquNs, 1920-21
1920_34_Landscape Near CadaquNs, 1920-21
1920_portrait_of_the_violoncellist_ricardo_pichot_010008
1921_01_Back View of CadaquNs, 1921
1921_02_Portrait of My Father, circa 1921
1921_03_Self-portrait with the Neck of Raphael, circa 1921
1921_04_Self-portrait (Figueres), 1921
1921_05_Self-portrait, circa 1921
1921_06_Portrait of Grandmother Ana Sewing, circa 1921
1921_07_Llaner Beach in CadaquNs, circa 1921
1921_08_Self-portrait, 1921
1921_09_Poster_ Fieres i Festes de la Santa Creu, 1921
1921_10_Voyeur, 1921
1921_12_Young Girls in a Garden, 1921
1921_14_Fair of the Holy Cross - The Circus, 1921
1921_15_Man Holding Up a Baby as Though He Were Drinking from a Bottle, 1921
1921_16_The Picnic, 1921
1921_19_Festival of St. Lucia At, Villamalla, 1921
1921_20_Moonlight at Little LlanN, 1921
1921_21_Self-Portrait, 1921
1921_23_Festival in Figueras, 1921
1921_24_Festival at San Sebastian, 1921
1921_25_Festival of St. Lucia At, Villamalla, 1921
1921_26_Nymphs in a Romantic, Garden, 1921
1921_27_A Seated Man and a Dancing Couple, 1921
1921_28_Romeria - Pilgrimage, 1921
1921_29_Man with Porron, 1921
1921_31_Portrait Ofjaume Miravidles, 1921-22
1921_32_Portrait of Jaume Miravidles as a Footballer, 1921-22
1921_33_Motherhood, circa 1921
1922_01_Still Life (Pulpo y scorpa), 1922
1922_02_CadaquNs, 1922
1922_04_The Lane to Port Lligat with the View of Cape Creus, 1922-23
1922_05_PortdoguN and Mount Pani from Ayuntamiento, 1922
1922_06_Cabaret Scene, 1922
1922_07_Jug, 1922-23
1922_15_Fishermen at CadaquNs, 1922
1922_17_Landscape - CadaquNs, 1922
1922_18_Still Life, 1922
1922_19_Still Life with Aubergines, 1922
1922_20_Still Life, 1922
1922_21_Still Life - Fish, 1922
1922_23_Untitled - Scene in a Cabaret in Madrid, 1922
1922_27_Villa Pepita, 1922
1922_30_Untitled - Landscape Near, Madrid, 1922-23
1922_31_Madrid, Architecture and Poplars, 1922
1923_01_Nude in a Landscape, circa 1923
1923_02_Portrait of My First Cousin, 1923
1923_03_The Sick Child (Self-portrait in CadaquNs), circa 1923
1923_04_El Moli - Landscape Near CadaquNs, 1923
1923_05_CadaquNs, 1923
1923_06_Cubist Self-Portrait with 'La Publicitat', 1923
1923_07_Figures in a Landscape at Ampurdan, 1923
1923_08_Self-portrait with L'Humanitie, 1923
1923_09_Domestic Scene, 1923
1923_10_Woman Nursing Her Son (Mujer amamantando a su hijo), 1923
1923_11_CadaquNs (Seen from the Tower of Creus), 1923
1923_12_Bathers of La Costa Brava - Bathers of Llaner, 1923
1923_13_Figueras Gypsy, 1923
1923_14_Crystalline Still Life, 1923
1923_15_Still Life_ Fish with Red Bowl, 1923-24
1923_18_Satirical Composition ('The Dance' by Matisse), 1923
1923_23_The Jorneta Stream, 1923
1923_24_Landscape Near CadaquNs, 1923
1923_25_La Jorneta, 1923
1923_28_Cubist Composition - Portrait of a Seated Person Holding a Letter, 1923
1923_29_Still Life, 1923
1923_30_Still Life, 1923
1923_35_Portrait of My Sister (original State), 1923-24
1923_36_Portrait of My Cousin Ana, Maria Domenech, circa 1923
1923_38_Fried Egg on the Plate without the Plate, 1923
1924_01_Bather, 1924
1924_02_Port Alguer, 1924
1924_03_Portrait of Ana Maria, 1924
1924_04_Portrait of Luis Bunuel, 1924
1924_05_Still Life, 1924
1924_06_Ana Maria, 1924
1924_07_Still Life; Watermelon, 1924
1924_08_Bouquet (L'Important c'est la Rose), 1924
1924_11_Siphon and Small Bottle of Rum, 1924
1924_13_The Station at Figueras, 1924
1924_14_Plant, 1924
1924_15_Still Life, 1924
1924_16_Pierrot and Guitar, 1924
1924_18_Still Life, 1924
1924_still_life_sandia_010009
1925_01_Female Nude, 1925
1925_02_Figure at a Window, 1925
1925_03_Girl from the Back, 1925
1925_04_Portrait of the Artist's Father, 1925
1925_05_Venus and a Sailor - (Homage to Salvat-Papasseit), 1925
1925_06_Venus with Cupids, 1925
1925_07_Venus and a Sailor (1), 1925
1925_08_Portrait of Ana Maria (CadaquNs), circa 1925
1925_09_Portrait of Maria Carbona, 1925
1925_11_Port Alguer, 1925
1925_12_Bay of CadaquNs, 1925
1925_13_Cala Nans, 1925
1925_14_Double-sided Verso (Studio Scene), circa 1925
1925_15_Seated Monk, 1925
1925_16_Pierrot Playing the Guitar, 1925
1925_17_Still Life with Moonight, 1925
1925_18_Study of Nude, 1925
1925_19_Nude in the Water, 1925
1925_22_Thought, 1925
1925_23_Venus and a Sailor (2), 1925
1925_26_Landscape Near Ampurdan, 1925
1925_27_Landscape Near Ampurdan, 1925
1925_28_Still Life, circa 1925
1925_30_Venus with Cupids (detail), 1925
1926_01_The Basket of Bread, 1926
1926_02_Figure on the Rocks (Figura damunt les roques), 1926
1926_03_Figure on the Rocks (Penya Segats), 1926
1926_04_The Girl of Figueras, 1926
1926_05_Girl with Curls, 1926
1926_06_Girl's Back, 1926
1926_07_Portrait of a Girl in a Landscape (CadaquNs), circa 1926
1926_08_Study for 'Blood Is Sweeter Than Honey', 1926
1926_09_Homage to Erik Satie, 1926
1926_10_Cubist Figure (Figura cubista), 1926
1926_13_Still Life with Two Lemons, circa 1926
1926_15_Rocks at Llane (Landscape near CadaquNs), 1926
1926_18_Self-Portrait Being Duplicated into Three, 1926-27
1926_20_Venus and Sailor (Girl and Sailor; Unfinished), 1926
1926_22_Ana Maria, Sewing, 1926
1926_23_Portrait of Sefiora Abadal De'Argemi, circa 1926
1926_24_Portrait of a Woman, (unfinished), 1926
1926_29_Women Lying on the Beach, 1926
1926_31_Neo-Cubist Academy (Composition with Three Figures), 1926
1926_33_Rocks of LlanN (first version), 1926
1926_basket_of_bread_010010
1926_figure_on_the_rocks_010011
1927_01_Apparatus and Hand, 1927
1927_02_Still Life by the Light of the Moon, 1927
1927_03_Harlequin, 1927
1927_04_Barcelonese Mannequin, 1927
1927_05_Ocell... Peix, 1927-28
1927_06_Nude Woman in an Armchair, circa 1927
1927_08_Head of a Woman, 1927
1927_13_Honey Is Sweeter Than Blood, 1927
1927_14_Untitled, 1927
1927_apparatus_and_hand_010012
1928_01_Bather, 1928
1928_02_Sun, 1928
1928_03_Symbiotic Woman-Animal, 1928
1928_04_Unsatisfied Desires, 1928
1928_05_The Ram (The Spectral Cow), 1928
1928_06_The Bather (Beigneuse), 1928
1928_07_Little Cinders (Senicitas), circa 1928
1928_08_The Donkey's Carcass, 1928
1928_09_Bird, 1928
1928_10_The Spectral Cow, 1928
1928_11_Rotting Bird, 1928
1928_13_Big Thumb, 1928
1928_14_Abstract Composition, 1928
1928_15_Composition, 1928
1928_16_Female Nude, 1928
1928_17_Sun, 1928
1928_19_Untitled, 1928
1928_20_Untitled, 1928
1928_21_Feminine Nude (first State), 1928
1928_22_Moonlight, circa 1928
1928_23_Untitled (the Sea and the Fishermen), 1928
1928_24_Fishermen in the Sun, 1928
1928_25_Soft Nude (Nude Watch), circa 1928
1928_26_Fishermen in CadaquNs, 1928
1928_27_Untitled, 1928
1928_28_Shell, 1928
1928_29_The Wounded Bird, 1928
1929_01_Accomodations of Desire, 1929
1929_02_The Enigma of Desire; My Mother, 1929
1929_03_The First Days of Spring, 1929
1929_04_The Great Masturbator, 1929
1929_05_Illumined Pleasures, 1929
1929_06_Imperial Monument to the Child-Woman, 1929
1929_08_The Invisible Man, 1929
1929_09_Lugubrious Game, 1929
1929_10_Portrait of Paul Eluard, 1929
1929_11_Profanation of the Host, 1929
1929_12_Phantasmagoria, 1929
1929_13_Man with Unhealthy Complexion Listening to the Sound of the Sea (The Two Balconies), 1929
1929_illumined_pleasures_010013
1929_portrait_of_paul_eluard_010014
1929_the_dismal_sports_010015
1929_the_first_day_of_spring_010016
1929_the_imperial_monument_for_child-woman_010017
1930_01_The Bleeding Roses, 1930
1930_02_The Font, 1930
1930_03_Invisible Sleeping Woman, 1930
1930_04_Vertigo, 1930
1930_05_Invisible Sleeping Woman, 1930
1930_06_Portrait of Mr. Emilio Terry (unfinished), 1930
1930_07_The Average Bureaucrat, 1930
1930_08_The Ghost of the Evening, 1930
1930_09_The Hand, 1930
1930_10_Premature Ossification of a Railway Station, 1930
1930_11_William Tell, 1930
1930_12_The Great Masturbator, 1930
1930_13_Oedipus Complex, 1930
1930_18_Paranoiac Woman-Horse, 1930
1930_25_The Feeling of Becoming, 1930
1930_28_Chocolate, circa 1930
1930_the_fountain_010018
1931_01_Diurnal Illusion; the Shadow of a Grand Piano Approaching, 1931
1931_02_The Dream, 1931
1931_03_Le Spectre et le Fantome, 1931
1931_04_The Old Age of William Tell, 1931
1931_05_Partial Hallucination. Six apparitions of Lenin on a Grand Piano, 1931
1931_06_The Persistence of Memory, 1931
1931_07_Shades of Night Descending, 1931
1931_08_Woman Sleeping in a Landscape, 1931
1931_09_Portrait of Gala, 1931
1931_10_Remorse or Sunken Sphinx, 1931
1931_11_Solitude, 1931
1931_12_Gradiva Finds the Anthropomorphic Ruins, 1931
1931_13_Board of Demented Associations (Fireworks), circa 1931
1931_14_On the Seashore, 1931
1931_15_Vegetable Metamorphosis, 1931
1931_16_Combinations (or The Combined DalHnian Phantasms; Ants, Keys, Nails), 1931
1931_20_Symbiosis of a Head of Seashells, 1931
1931_22_Olive, 1931
1931_23_Untided (William Tell and Gradiva), 1931
1931_25_Gradiva, 1931
1931_26_Untitled, 1931
1931_27_Landscape, 1931
1931_29_Mme. Reese, circa 1931
1931_30_They Were There, 1931
1931_partial_hallucination_six_apparitions_of_lenin_on_a_grand_piano_010019
1931_the_persistence_of_memory_010020
1932_01_Anthropomorphic Bread, 1932
1932_02_The Average Fine and Invisible Harp, 1932
1932_03_The Birth of Liquid Desires, 1932
1932_04_Diurnal Fantasies, 1932
1932_05_Eggs on the Plate Without the Plate, 1932
1932_06_Memory of the Child-Woman, 1932
1932_07_Phosphene of Laporte, 1932
1932_08_Portrait of the Viscountess Marie-Laure de Noailles, 1932
1932_09_Surrealist Object Gauge of Instantaneous Memory, 1932
1932_10_Suez, 1932
1932_11_The True Painting of 'The Isle of the Dead' by Arnold Bocklin at the Hour of the Angelus, 1932
1932_12_Agnostic Symbol, 1932
1932_13_Ordinary French Loaf with Two Fried Eggs Riding Without a Plate, 1932
1932_14_The Invisible Man, 1932
1932_15_The Meeting of the Illusion and the Arrested Moment - Fried Eggs Presented in a Spoon, 1932
1932_16_The Veiled Heart, 1932
1932_18_Portrait of Gala, circa 1932-33
1932_1934_meditation_on_the_harp_010021
1932_19_Eggs on the Plate Without the Plate, 1932
1932_20_The Dream Approaches, 1932-33
1932_23_Anthropomorphic Bread, 1932
1932_28_Nostalgia of the Cannibal, 1932
1932_31_The Knight at the Tower, 1932
1932_32_Untitled - Female Figure with Catalonian Bread, 1932
1932_36_Babaouo - Publicity Announcement for the Publication of the Scenario of the Film, 1932
1932_37_Surrealist Architecture, circa 1932
1932_38_Detail of 'Meditation on The Harp', circa 1932-34
1932_41_The Mysterious Sources of Harmony, 1932-33
1932_42_Automatic Beginning of a Portrait of Gala (unfinished), 1932
1932_43_The Birth of Liquid Fears, 1932
1932_44_Surrealist Essay, 1932
1933_01_Ambivalent Image, 1933
1933_02_Apparition of My Cousin Carolineta on the Beach at Rosas, 1933
1933_03_The Architectural Angelus of Millet, 1933
1933_04_Average Atmospherocepalic Bureaucrat in the Act of Milking a Cranial Harp, 1933
1933_06_The Enigma of William Tell, 1933
1933_07_Gala and the Angelus of Millet Preceding the Imminent Arrival of the Conical Anamorphoses, 1933
1933_08_Geological Destiny, 1933
1933_10_Myself at the Age of Ten When I Was the Grasshopper Child, 1933
1933_11_Necrophilic Fountain Flowing from a Grand Piano, 1933
1933_12_The Phantom Cart, 1933
1933_13_Portrait of Gala with Two Lamb Chops Balanced on Her Shoulder, 1933
1933_14_Soft Watches, 1933
1933_15_Sugar Sphinx (detail), 1933
1933_16_The Triangular Hour, 1933
1933_17_Sugar Sphinx, 1933
1933_1934_masochistic_instrument_010022
1933_22_The Phantom Cart, 1933
1933_28_Untitled - Death Outside the Head-Paul Eluard, circa 1933
1933_the_phenomenon_of_ecstasy_010023
1934_01_Atavism at Twilight, circa 1934
1934_02_Atavistic Vestiges After the Rain, 1934
1934_03_Atmospheric Skull Sodomizing a Grand Piano, 1934
1934_05_Enigmatic Elements in the Landscape, 1934
1934_06_Figure and Drapery in a Landscape, circa 1934
1934_07_Fossil Cloud, 1934
1934_08_The Ghost of Vermeer of Delft Which Can Be Used As a Table, 1934
1934_09_Masochistic Instrument, circa 1934
1934_10_Meditation on the Harp, circa 1934
1934_11_Moment of Transition, 1934
1934_12_Morning Ossification of the Cypress, 1934
1934_13_Paranoiac Astral Image, 1934
1934_14_Persistence of Fair Weather, circa 1934
1934_15_The Signal of Anguish, 1934
1934_16_Skull with Its Lyric Appendage Leaning on a Night Table which Should Have the Exact Temperature of a Cardinal's Nest, 1934
1934_17_The Specter of Sex Appeal, 1934
1934_18_The Weaning of Furniture-Nutrition, 1934
1934_1935_portrait_of_mae_west_010024
1934_19_The Javanese Mannequin, 1934
1934_20_Surrealist Poster, 1934
1934_21_The Invisible Harp, 1934
1934_22_Cardinal, 1934
1934_23_The Tower, 1934
1934_25_Hairdresser Depressed by the Persistent Good Weather, 1934
1934_26_The Ship, 1934-35
1934_27_The Knight of Death, 1934
1934_30_Portrait of a Woman, 1934
1934_32_Portrait of Gala with a Lobster (Portrait of Gala with Aeroplane Nose), circa 1934
1934_33_Cannibalism of the Praying Mantis of Lautreamont, 1934
1934_34_Melancholy - to Marcel Remy in Friendship, Salvador DalH, 1934
1934_36_The Spectre of the Angelus, circa 1934
1934_45_The Isle of the Dead - Centre, Section - Reconstructed, Compulsive Image, After Becklin, 1934
1934_46_Night Spectre on the Beach, 1934
1934_48_Ghost of Vermeer Van Delft, circa 1934
1934_49_The Ghost of Vermeer van Delft, circa 1934
1934_51_Figure with Drawers for a Four-part Screen, circa 1934
1934_52_Surrealist Knight for a Four-part Screen, circa 1934
1934_55_Untitled (Desert Landscape), 1934
1934_58_Apparition of My Cousin Carolinetta on the Beach at Rosas, 1934
1934_59_The Sense of Speed, 1934
1934_60_Eclipse and Vegetable Osmosis, 1934
1934_61_The Hour of the Crackled Visage, 1934
1934_62_Untitled (Dreams on the Beach), 1934
1934_63_West Side of the Isle of the Dead - Reconstructed Compulsive Image After Becklin, 1934
1934_64_Aerodynamic Chair, 1934
1934_66_Surrealist Knights for a Four-part Screen, Centre Right, circa 1934
1934_67_Surrealist Warriors for a Four-part Screen, Centre Left, circa 1934
1934_68_Allegory of an American Christmas, 1934
1934_atmospheric_skull_sodomizing_a_grand_piano_detail_of_skull_010025
1934_the_ghost_of_vermeer_of_delft_which_can_be_used_as_a_table_010026
1934_the_weaning_of_furniture-nutrition_010027
1935_01_The Angelus of Gala, 1935
1935_02_Archaeological Reminiscence of Millet's Angelus, 1935
1935_03_Face of Mae West Which May Be Used as an Apartment, circa 1935
1935_04_Mediumnistic-Paranoiac Image, 1935
1935_05_Paranoiac-Critical Solitude, 1935
1935_06_Puzzle of Autumn, 1935
1935_07_The Horseman of Death, 1935
1935_08_Poster Project, 1935
1935_09_Woman with a Head of Roses, 1935
1935_10_Solitude - Anthropomorphic Echo, 1935
1935_11_Paranonia, 1935-36
1935_13_Exquisite Cadaver, 1935
1935_17_The Surrealist Mystery of New York I, 1935
1935_1936_the_apparition_of_town_delft_010028
1935_19_The Echo of the Vold, 1935
1935_20_Landscape After De Chirico (unfinished), 1935
1935_21_Paranoiac Visage - The Postcard Transformed, 1935
1935_22_Paranoiac Visage, 1935
1935_25_Nostalgic Echo, 1935
1935_archaeological_reminiscence_of_millet's_angelus_010029
1936_01_The Anthropomorphic Cabinet, 1936
1936_02_Apparition of the Town of Delft, circa 1936
1936_03_Autumn Cannibalism, 1936
1936_04_A Couple with Their Heads Full of Clouds, 1936
1936_06_The Dream places a Hand on a Man's Shoulder, 1936
1936_07_Geological Justice, 1936
1936_08_The Great Paranoiac, 1936
1936_09_'Morphological Echo', circa 1936
1936_10_The Pharmacist of Ampurdan in Search of Absolutely Nothing, 1936
1936_11_Soft Construction with Boiled Beans - Premonition of Civil War, 1936
1936_12_Sun Table, 1936
1936_13_Three Young Surrealistic Women Holding in Their Arms the Skins of an Orchestra, 1936
1936_15_White Calm, 1936
1936_16_Cover of 'Minotaure' Magazine, 1936
1936_17_The Man with the Head of Blue Hortensias, 1936
1936_18_Night and Day Clothes, 1936
1936_1937_cannibalism_in_autumn_010030
1936_1937_lighted_giraffes_010031
1936_1938_spain_010032
1936_21_Suburbs of a Paranoiac-Critical Town; Afternoon on the Outskirts of European History, 1936
1936_22_Man with His Head Full of Clouds, 1936
1936_23_Morphological Echo, 1936
1936_24_Head of a Woman in the Form of a Battle, 1936
1936_25_Singularities (Singularitats), circa 1936
1936_26_Landscape with Girl Skipping Rope, 1936
1936_27_Ampurdanese Yang and Yin, 1936
1936_28_Woman with Drawers, 1936
1936_29_Decalcomania, 1936
1936_30_The Ants, 1936-37
1936_34_The Forgotten Horizon, 1936
1936_35_The Fossilized Automobile of Cape Creus, 1936
1936_37_Ant Face. Drawing for the Catalogue Jacket of DalH's Exhibition at the Alex Reid and Lefevre Gallery in London, 1936
1936_38_Necrophiliac Springtime, 1936
1936_39_A Chemist Lifting with Extreme Precaution the Cuticle of a Grand Piano, 1936
1936_40_Surrealist Composition with Invisible Figures (second version of 'Rocks of LlanN'), circa 1936
1936_42_Hypnagogic Monument, 1936
1936_43_South (Noon), 1936
1936_44_Bread on the Head of the Prodigal Son, 1936
1936_50_Geodesic Portrait of Gala, 1936
1936_52_A Couple with Their Heads Full of Clouds, 1936
1936_59_The Vertebrate Grotto - Transfer Series, 1936
1936_soft_construction_with_boiled_beans_premonition_of_civil_war_010033
1936_the_outskirts_of_history_010034
1936_three_young_surrealistic_women_holding_in_their_arms_the_skins_of_an_orchestra_010035
1937_01_The Burning Giraffe, 1937
1937_02_The Invention of the Monsters, 1937
1937_03_Metamorphosis of Narcissus, circa 1937
1937_04_Palladio's Thalia Corridor, 1937
1937_06_Sleep, 1937
1937_07_Swans Reflecting Elephants, 1937
1937_08_Cannibalism of the Objects, 1937
1937_09_Perspectives, 1937
1937_10_Average Pagan Landscape, 1937
1937_11_Visions of Eternity, circa 1937
1937_15_Knights of Death, 1937
1937_18_Anatomical Studies - Transfer Series, 1937
1937_1938_metamorphosis_of_narcissus_010036
1937_20_Enchanted Beach (Long, Siphon), 1937
1937_27_Herodias, 1937
1938_01Apparition of Face and Fruit Dish on a Beach, 1938
1938_02_Beach with Telephone, 1938
1938_03-Enchanted Beach with Three Fluid Graces, 1938
1938_04_The Endless Enigma, 1938
1938_05_The Image Disappears, 1938
1938_06_Impressions of Africa, 1938
1938_07_Spain, 1938
1938_08_The Sublime Moment, 1938
1938_09_The Transparent Simulacrum of the Feigned Image, 1938
1938_10_Palladio's Corridor of Dramatic Surprise, 1938
1938_11_Debris of an Automobile Giving Birth to a Blind Horse Biting a Telephone, 1938
1938_12_Imperial Violets, 1938
1938_13_The Warning, 1938
1938_30_Invisible Afghan with the Apparition on the Beach of the Face of Garcia Lorca in the Form of a Fruit Dish with Three Figs, 1938
1938_31_Untitled - Figure (unfinished), 1938-39
1938_33_Untitled, 1938
1938_apparition_of_face_and_fruit_dish_on_a_beach_010037
1938_mountain_lake_with_telephone_010038
1938_mountain_lake_with_telephone_detail_of_telephone_010039
1938_the_endless_enigma_010040
1938_the_transparent_simulacrum_of_the_feigned_image_010041
1939_01_The Enigma of Hitler, circa 1939
1939_02_Mad Tristan, circa 1939
1939_03_Philosopher Illuminated by the Light of the Moon and the Setting Sun, 1939
1939_04_Telephone in a Dish With Three Grilled Sardines at the End of September, 1939
1939_05_Shirley Temple, 1939
1939_06_Freud's Perverse Polymorph (Bulgarian Child Eating a Rat), 1939
1939_07_Baby Map of the World, 1939
1939_08_Metamorphosis of the Five Allegories of Giovanni Bellini, 1939
1939_10_The Dream of Venus, 1939
1939_11_Bacchanale, 1939
1939_19_Landscape with Telephones on a Plate, 1939
1939_20_The Sphere Attacks the Pyramid. Cover of the Catalogue of the Exhibition at Julien Levy's in New York., 1939
1939_22_Set for 'Bacchanale', circa 1939
1939_23_Psychoanalysis and Morphology Meet, 1939
1939_27_Portrait of Gala (unfinished; detail), 1939
1939_28_Ballerina in a Death's Head, 1939
1939_29_Actress Betty Stockfeld Is Metamorphosed into a Nurse, 1939
1940_01_Daddy Longlegs of the Evening... Hope!, 1940
1940_03_Lady Louis Mountbatten, 1940
1940_04_Old Age, Adolescence, Infancy (The Three Ages), 1940
1940_05_Slave Market with the Disappearing Bust of Voltaire, 1940
1940_06_Visage of War, 1940
1940_07_Two Pieces of Bread, Expressing the Sentiment of Love, 1940
1940_11_Allegory of Sunset Air (Allegory of the Everning), 1940-41
1940_12_Group of Women Imitating the Gestures of a Schooner, 1940
1940_13_The Golden Age - Family of Marsupial Centaurs, 1940-41
1940_16_March of Time Comittee - Papillon, circa 1940
1940_slave_market_with_the_disappearing_bust_of_voltaire_010042
1940_three_ages_of_life_010043
1940_visage_of_war_010044
1941_01_Honey is Sweeter than Blood, 1941
1941_02_Maquette of the scenery for 'Labyrinth', 1941
1941_03_Ruin with Head of Medusa and Landscape, 1941
1941_04_Soft Self-portrait with Grilled Bacon, 1941
1941_05_Car Clothing (Clothed Automobile), 1941
1941_06_Invisible Bust of Voltaire, 1941
1941_07_Costume for a Nude with a Codfish Tail, 1941
1941_17_Original Sin, 1941
1941_18_Mysterious Mouth Appearing in the Back of My Nurse, 1941
1941_20_Design for the Set of 'Labyrinth', 1941
1941_21_Temple - Sketch for a Set Design, circa 1941
1941_22_The Triumph of Nautilus, 1941
1941_24_Portrait of Mrs. George Tait, II, 1941
1941_25_Set of 'Tristan and Isolde', 1941
1942_01_Juliet's Tomb, 1942
1942_02_Melancholy, 1942
1942_03_Design for the Interior Decoration of a Stable-Library, 1942
1942_05_Decor for 'Romeo et Juliet', 1942
1942_07_Birth of a New World, 1942
1942_09_Saint George and the Dragon, 1942
1942_10_Mural Painting for Helena Rubinstein (panel 1), 1942
1942_11_Untitled - Design for the Mural Painting for Helena Rubinstein, 1942
1942_12_Mural Painting for Helena Rubinstein (panel 2), 1942
1942_13_Mural Painting for Helena Rubinstein (panel 3), 1942
1942_14_Nude on the Plain of Rosas, 1942
1942_15_Untitled - Set Design (Figures Cut in Three), 1942
1942_16_Composition (Two Harlequins), 1942
1942_17_Equestrian Parade (possibly Set Design for 'Romeo and Juliet'), 1942
1942_18_The Two on the Cross, 1942
1942_21_Design for the set of 'Romeo and Juliet' (backdrops and wing flats), 1942
1942_22_Design for the set of 'Romeo and Juliet', 1942
1942_23_Study for the set of 'Romeo and Juliet', 1942
1942_24_Romeo and Juliet Memorial, 1942
1942_26_The Flames, They Call, 1942
1942_27_Design for a poster for 'The Secret Life of Salvador DalH', 1942
1942_28_Portrait of Mrs. Luther Greene, 1942
1942_30_Untitled - for the campaign against venereal disease, 1942
1942_31_Portrait of the Marquis De Cuevas, 1942
1942_32_Portrait of Mrs. Ortiz-Linares, 1942
1943_01_Geopoliticus Child Watching the Birth of the New Man, 1943
1943_02_The Poetry of America (unfinished), 1943
1943_03_Princess Arthchil Gourielli (Helena Rubinstein), circa 1943
1943_08_Portrait of Mrs. Harrison Williams, circa 1943
1943_09_Portrait of Ambassador Cardenas, 1943
1943_10_The Triumph of Tourbillon, 1943
1943_12_Untitled - New Accessoires, 1943
1943_13_Madonna, 1943
1943_14_Stage Curtain for the Ballet 'Cafe De Chinitas', 1943
1943_15_Painting for the backdrop of 'Cafe De Chinitas', 1943
1943_geopolitical_child_watching_the_birth_of_the_new_man_010045
1944_01_Galarina, 1944-45
1944_02_Giant Flying Demi-Tasse with Incomprehensible Appendage Five Meters Long, circa 1944-45
1944_03_One Second Before Awakening from a Dream Caused by the Flight of a Bee Around a Pomegranate, 1944
1944_04_Tristan and Isolde, 1944
1944_05_Sentimental Colloquy (Study for a Ballet), 1944
1944_06_The Apotheosis of Homer, 1944-45
1944_10_Study for the Backdrop of 'Mad Tristan' (Act II), 1944
1944_13_Study for the set of the ballet 'Tristan Insane' (Act 1), 1944
1944_16_Music - The Red Orchestra - The Seven Arts, 1944
1944_17_Women Metamorphosed - the Seven Arts, 1944
1944_18_Untitled - the Seven Arts, 1944
1944_19_Dance - the Seven Arts, 1944
1944_21_Untitled - the Seven Arts, 1944
1944_23_Paranoia (Surrealist Figures), 1944
1944_25_Untitled - Design for the ball in the dream sequence in 'Spellbound', 1944
1944_dream_inspired_by_a_bee_flying_around_a_pomegranate_a_second_before_waking_up_010046
1944_sentimental_colloguy_010047
1945_01_Basket of Bread, 1945
1945_02_My Wife, Naked, Looking at her own Body, 1945
1945_03_Napoleon's Nose, 1945
1945_04_Portrait of Mrs. Isabel Styler-Tas, 1945
1945_05_Three Apparitions of the Visage of Gala, 1945
1945_06_Melancholy, 1945
1945_07_Fountain of Milk Spreading Itself Uselessly on Three Shoes, 1945
1945_08_Autumn Sonata, 1945
1945_10_Resurrection of the Flesh, circa 1945
1945_11_The Broken Bridge and the Dream, 1945
1945_12_The Eye, 1945
1945_16_Design for the Film 'Spellbound' (1), 1945
1945_17_Design for the Film 'Spellbound' (2), 1945
1945_18_Victory - Woman Metamorphosing into a Boat with Angels, 1945
1945_19_Untitled - Scene with Marine Allegory, 1945
1945_20_Untitled - Portrait of a Woman, 1945
1945_22_Design for the set of the film 'Spellbound', 1945
1945_24_Spellbound, circa 1945
1945_25_Study for the dream sequence in 'Spellbound', circa 1945
1945_my_wife_nude_contemplating_her_own_flesh_becoming_stairs_010048
1946_01_The Temptation of Saint Anthony, 1946
1946_02_Christmas (Noel), 1946
1946_03_Nude in the Desert Landscape, 1946
1946_05_Composition - Portrait of Mrs. Eva Kolsman, 1946
1946_07_Double Image for 'Destino', 1946
1946_09_Desert Trilogy - Flower in the Desert, 1946
1946_10_Desert Trilogy - Apparition of a Couple in the Desert - for 'Desert Flower' perfume, 1946
1946_11_Desert Trilogy - Apparition of a Woman and Suspended Architecture in the Desert - for 'Desert Flower' perfume, 1946
1946_12_The Stain, 1946
1946_13_Untitled (Spanish Dances in a Landscape), 1946
1946_temptation_of_st_anthony_010049
1947_01_Dematerialization Near the Nose of Nero, 1947
1947_02_Feather Equilibrium (Interatomic Balance of a Swan's Feather), 1947
1947_03_Portrait of Picasso, 1947
1947_04_The Three Sphinxes of Bikini, 1947
1947_09_Design for 'Destino', 1947
1947_10_Design for 'Destino', 1947
1947_11_Rock and Infuriated Horse Sleeping Under the Sea, 1947
1947_12_Battle Over a Dandelion, 1947
1947_16_Untitled (Temple Frontage with Atomic Explosions), circa 1947
1947_17_Wheat Ear, 1947
1947_21_Jour de la Vierge, 1947
1948_01_The Elephants, 1948
1948_03_Portrait of Mrs. Mary Sigall, 1948
1948_04_Portrait of Nada Pachevich, 1948
1948_05_Untitled (Male Nude in a Landscape), 1948
1948_06_Untitled (Landscape), 1948
1948_07_Study for a Portrait (unfinished), circa 1948
1948_08_Leda Atomica (first unfinished version), 1948
1948_the_elephants_010050
1949_01_Leda Atomica, 1949
1949_02_The Madonna of Port Lligat (first version), 1949
1949_06_Set design for the ballet 'Los Sacos Del Molinero', 1949
1949_07_Set design for the ballet 'Los Sacos Del Molinero', 1949
1949_08_Set design for the ballet 'Los Sacos Del Molinero', 1949
1949_09_Set design for the ballet 'Los Sacos Del Molinero', 1949
1949_10_Set design for the ballet 'Los Sacos Del Molinero', 1949
1949_11_Set design for the ballet 'Los Sacos Del Molinero', 1949
1949_12_Four Armchairs in the Sky, 1949
1949_13_'La Turbie' - Sir James Dunn Seated, 1949
1949_first_study_for_the_madonna_of_port_lligat_010051
1949_leda_atomica_010052
1950_01_DalH at the Age of Six, 1950
1950_02_The Madonna of Port Lligat (second version), 1950
1950_04_Landscape of Port Lligat with Homely Angels and Fisherman, 1950
1950_05_The Madonna of Port Lligat (detail), 1950
1950_06_Landscape of Port Lligat, 1950
1950_09_Study for a Backdrop, circa 1950
1950_11_Backdrop for 'Don Juan Tenorio', 1950
1950_12_DalH's Moustache, 1950
1950_13_Erotic Beach, 1950
1950_22_Design for the death scene in 'Don Juan Tenorio', 1950
1950_23_Mystical Carnation, 1950-51
1950_24_Carnation and Cloth of Gold, 1950
1950_27_Cork (study for 'The Madonna of Port Lligat'), 1950
1950_madonna_of_port_lligat_010053
1951_01_Christ of Saint John of the Cross, 1951
1951_02_Raphaelesque Head Exploding, 1951
1951_05_Landscape with Cavalier and Gala, 1951
1951_07_The Queen of the Butterflies, 1951
1951_11_Celestial Coronation, circa 1951
1951_13_Explosive Madonna, 1951
1951_14_Portrait of Colonel Jack Warner, 1951
1951_15_Portrait of a Child (unfinished), 1951
1951_16_Portrait of Mrs. Jack Warner, 1951
1951_17_Portrait of Katharina Cornell, 1951
1951_21_Study for 'Christ of St. John of the Cross', 1951
1951_christ_of_saint_john_of_the_cross_010054
1952_01_Asummpta Corpuscularia Lapislazulina, 1952
1952_02_The Disintegration of Persistence of Memory, 1952-54
1952_03_Galatea of the Spheres, 1952
1952_04_Eucharistic Still Life, 1952
1952_05_Nuclear Cross, 1952
1952_07_The Angel of Port Lligat, 1952
1952_10_Opposition, 1952
1952_11_Arithmosophic Cross, 1952
1952_12_Madonna in Particles, 1952
1952_1954_the_disintegration_of_the_persistence_of_memory_010055
1952_19_The Tree, 1952
1952_20_The Angel of Port Lligat, 1952
1954_01_The Colossus of Rhodes, 1954
1954_02_Crucifixion ('Corpus Hypercubus'), 1954
1954_03_DalH Nude, 1954
1954_04_Rhinocerotic Disintegration of Illissus of Phidias, 1954
1954_05_Two Adolescents, 1954
1954_06_Young Virgin Auto-Sodomized by Her Own Chastity, 1954
1954_07_Noon (Barracks of Port Lligat), 1954
1954_09_Equestrian Fantasy - Portrait of Lady Dunn, 1954
1954_10_Portrait of Gala with Rhinocerotic Symptoms, 1954
1954_11_Microphysical Madonna, 1954
1954_12_Soft Watch at the Moment of First Explosion, 1954
1954_13_Gala Contemplating the Corpus Hypercubicus, 1954
1954_14_Crucifixion, 1954
1954_16_Head Bombarded with Grains of Wheat (Particle Head Over the Village of CadaquNs), 1954
1954_17_The Maximum Speed of Raphael's Madonna, 1954
1954_20_GalatNe, 1954
1954_21_The Lighthouse at Alexandria, 1954
1954_22_The Lighthouse at Alexandria, 1954
1954_23_The Walls of Babylon, 1954
1954_24_The Pyramids and the Sphynx of Gizeh, 1954
1954_26_Statue of Olympic Zeus, 1954
1954_27_Portrait of Mrs. Reeves, 1954
1954_28_Portrait of Mrs. Ann Woodward, 1954
1954_crucifixion_('hypercubic_body')_010056
1954_two_adolescents_010057
1954_young_virgin_autosodomized_by_her_own_chastity_010058
1955_01_The Last Supper, 1955
1955_02_Paranoiac-Critical Study of Vermeer's 'Lacemaker', 1955
1955_04_Portrait of Laurence Olivier in the Role of Richard III, 1955
1955_07_Ascensionist Saint Cecilia, 1955
1955_11_The Lacemaker (copy of the painting by Vermeer Van Delft), 1955
1955_13_Rhinocerotic Figures, 1955
1955_15_Blue Horns. Design for a Scarf, 1955
1955_16_Untitled (The Amazing Adventure of Vermeer's 'Lacemaker'), 1955
1955_17_Rhinocerotic Portrait of Vermeer's 'Lacemaker', 1955
1955_combat_010059
1955_the_last_supper_010060
1956_01_Nature Morte Vivante (Living Still Life), 1956
1956_02_Rhinocerotic Gooseflesh, 1956
1956_03_St. Helena of Port Lligat, 1956
1956_04_Saint Surrounded by Three Pi-Mesons, 1956
1956_05_Fancy Costumes, 1956
1956_07_The Skull of Zurbar6n, 1956
1956_08_Assumpta Canaveral, 1956
1956_09_Study for a fruit bowl in 'Still Life - Fast Moving', 1956
1956_11_The Motionless Swallow. Study for 'Still Life - Fast Moving', 1956
1956_12_Wine Glass and Boat, 1956
1956_13_Untitled (Landscape with Butterflies), circa 1956
1956_14_Anti-Protonic Assumption, 1956
1956_15_The Infant Jesus, 1956
1956_living_still_life_010061
1957_01_Santiago El Grande, 1957
1957_04_Rock 'n Roll, 1957
1957_05_Red Orchestra, 1957
1957_06_Untitled (Surrealist Landscape), 1957-58
1957_07_Metamorphosed Women - The Seven Arts, 1957
1957_08_Butterfly Landscape (The Great Masturbator in a Surrealist Landscape with D.N.A.), 1957-58
1957_09_Celestial Ride, 1957
1957_10_The Grand Opera, 1957
1957_11_Sorcery - The Seven Arts, 1957
1957_12_Modern Rhapsody - The Seven Arts, 1957
1957_14_The Duke of Urbino (Portrait of Count Theo Rossi Di Montelera), 1957
1958_01_The Discovery of America by Christopher Columbus, 1958-59
1958_02_Velazquez Painting the Infanta Margarita with the Lights and Shadows of His Own Glory, 1958
1958_03_The Sistine Madonna, 1958
1958_04_Angel, circa 1958
1958_05_Portraif of Chester Dale and His Dog Coco, 1958
1958_06_Meditative Rose, 1958
1958_07_The Sistine Madonna (detail), 1958
1958_08_Dionysus Spitting the Complete Image of CadaquNs on the Tip of the Tongue of a Three-Storied Gaudinian Woman, 1958-60
1958_10_Portrait of Sir James Dunn, 1958
1958_14_Clown for 'The Amazing Adventure of the Lacemaker and the Rhinoceros', 1958
1958_15_Detail from 'Moonlit Landscape with Accompaniment', 1958
1958_16_Metamorphosis of Hitler's Face into a Moonlit Landscape with Accompaniment, 1958
1958_17_Landscape Near Port Lligat, 1958
1958_1959_the_discovery_of_america_by_christopher_columbus_010062
1958_19_Cosmic Madonna, 1958
1958_20_Ascension, 1958
1958_21_Religious Scene in Particles, circa 1958
1958_23_Christ. From 'The Apocalypse of St. John', 1958
1958_26_The Ascension of Christ, 1958
1959_01_The Virgin of Guadalupe, 1959
1959_02_Port Lligat at Sunset, 1959
1959_04_The Vase of Cornflowers, 1959
1959_06_Portrait of Reinaldo Herrera Marquis De Torre Casa, 1959
1959_09_Woman Undressing, 1959
1959_10_Study for 'Woman Undressing', 1959
1959_virgin_of_guadalupe_010063
1960_01_Birth of a Divinity, 1960
1960_02_The Ecumenical Council, 1960
1960_04_Hyperxiological Sky, 1960
1960_06_The Life of Mary Magdalene, 1960
1960_08_The Servant of the Disciples at Emmaus, 1960
1960_09_San Salvador and Antonio Gaudi Fighting for the Crown of the Virgin, 1960
1960_10_Portrait of Juan de Pareja Repairing a String of His Mandolin, 1960
1960_11_A Propos of the 'Treatise on Cubic Form' by Juan de Herrera, 1960
1960_13_Birth of a Goddess, 1960
1960_14_The Cosmic Athlete, 1960
1960_16_Gala Nude From Behind Looking in an Invisible Mirror, 1960
1960_19_Untitled, circa 1960
1960_20_The Trinity (Study for 'The Ecumenical Council'), 1960
1960_21_St. Peter's in Rome (Explosion of Mystical Faith in the Midst of a Cathedral), 1960
1960_22_Portrait of St. Jerome, 1960
1960_23_Beatrice, 1960
1960_24_Two Religious Figures, 1960
1960_25_A Fate of the Parthenon, 1960
1960_26_Madonna, 1960
1960_27_The Maids-in-Waiting (Las Meninas; detail), 1960
1960_28_The Maids-in-Waiting (Las Meninas), 1960
1960_29_Figure In the Shape of a Cloud, circa 1960
1960_30_Female Seated Nude, circa 1960
1960_31_The Ecumenical Council, 1960
1960_32_Cathedral (unfinished), circa 1960
1960_33_Portrait of a Man (They Were There), 1960
1960_34_Portrait of 'Bobo' Rockefeller (unfinished), 1960
1960_35_Portrait of Countess Ghislaine d'Oultremont, 1960
1960_36_Portrait of Mrs. Fagen, 1960
1960_37_Untitled (The Lady of Avignon), circa 1960
1960_38_Arabs. Study for 'The Battle of Tetuan', 1960
1961_01_The Battle of Tetuan, 1961-62
1961_02_Portrait of a Woman - Grey Jacket Wearing a Pearl Necklace, circa 1961
1961_03_Leda's Swan (Leda and the Swan), 1961
1961_04_Study for 'The Battle of Tetuan', 1961
1961_05_Arabs. Study for 'The Battle of Tetuan', 1961
1961_06_Study for 'The Battle of Tetuan', 1961
1961_07_Mohammed's Dream (Homage to Fortuny), 1961
1961_08_The Infanta (Standing Woman), 1961
1962_01_Study of a Female Nude, circa 1962
1962_04_Arab, 1962
1962_05_Vision of Fatima, 1962
1962_06_Macrophotographic Self-Portrait with the Appearance of Gala, 1962
1962_07_Study for 'The Battle of Tetuan', 1962
1962_09_Twist in the Studio of Velazquez, 1962
1962_10_The Sacred Heart of Jesus, 1962
1962_11_St. George and the Dragon, 1962
1962_12_The Alchemist, 1962
1962_13_Portrait of Mr. Fagen, 1962
1962_14_Macrophotographic Self-Portrait with the Appearance of Gala (detail), 1962
1963_01_Portrait of My Dead Brother, 1963
1963_02_Galacidalacidesoxyribonucleicacid, 1963
1963_03_Hercules Lifts the Skin of the Sea and Stops Venus for an Instant from Waking Love, 1963
1963_04_Study for 'Fifty Abstract Pictures Which as Seen from Two Yards Change into Three Lenins Masquerading as Chinese and as Seen From Six Yards Appear as the Head of a Royal Bengal Tiger', 1963
1963_05_Arabs - the Death of Raymond Lulle, 1963
1963_06_Desoxyribonucleic Acid Arabs, circa 1963
1963_08_Study for Deoxyribonucleic Acid Arabs, circa 1963
1963_09_Study for Deoxyribonucleic Acid Arabs, 1963
1963_10_Arabs - the Death of Raimundus Lullus, 1963
1963_11_Mohammed's Dream, 1963
1963_12_Fifty Abstract Paintings Which as Seen from Two Yards Change into Three Lenins Masquerading as Chinese and as Seen from Six Yards Appear as the Head of a Royal Bengal Tiger, 1963
1963_13_Madonna with a Mystical Rose, 1963
1963_14_Untitled (Still Life with Lilies), 1963
1964_07_Untitled. Female Nude on a Palette, 1964
1964_08_Landscape with Flies, 1964
1964_09_Untitled (St. John), 1964
1965_01_The Railway Station at Perpignan, 1965
1965_04_Laocoon Tormented by Flies, 1965
1965_06_Homage to Meirronier, 1965
1965_09_Salvador DalH in the Act of Painting Gala in the Apotheosis of the Dollar, 1965
1965_10_'Character Masquerading in Pinning Up a Butterfly', 1965
1965_12_The Sun of DalH, 1965
1965_16_Portrait of Gala (Gala Against the Light), 1965
1965_24_Portrait of Mrs. Ruth Daponte, 1965
1965_27_Night in the Hotel (Abstract in Black and White), 1965
1965_28_Untitled (Apocalyptic Christ; Christ with Flames), 1965
1965_29_Untitled (St. John from Behind), 1965
1965_30_Crucifixion (Dedication; For Gala Queen of the Divine DalH), 1965
1966_01_Moses and the Pharaoh, 1966
1966_03_The Progress of 'Tuna Fishing', circa 1966-67
1966_04_Tuna Fishing (advanced State), circa 1966-67
1966_05_Tuna Fishing (advanced State), circa 1966-67
1966_06_Tuna Fishing (advanced State), circa 1966-67
1967_01_Tuna Fishing, 1967
1968_01_The Hallucinogenic Toreador, 1968-70
1968_02_The Patio of Port Lligat, 1968
1968_05_Mad Mad Mad Minerva - Illustration for 'Memories of Surrealism', circa 1968
1968_06_Fisherman of Port Lligat Mending His Net, 1968
1968_07_Tauromachia I - The Torero, the Kill (third and final round of the bullfight), 1968
1969_01_Toreo Noir, 1969
1969_02_Hour of the Monarchy, 1969
1969_03_The Swimming Pool in Port Lligat, 1969-70
1969_04_The Pool of Tears. Illustration for 'Alice in Wonderland' by Lewis Carroll in an Edition Published by Maecenas Press, New York, 1969
1969_05_Untitled (Surrealist Angel), circa 1969
1969_06_Untitled (Still Life with White Cloth), 1969
1969_07_Study of a Male Nude - Saint Sebastian, 1969
1969_1970_hallucinogenous_bullfighter_010064
1970_02_Portrait of John Theodoracopoulos, 1970
1970_05_Nude Figures at Cape Creus, 1970
1970_07_Study for the Decoration of the Ceiling in Pubol, circa 1970
1970_11_Roger Freeing Angelica (St. George and the Damsel), 1970
1970_12_Untitled (Michelangelo Head with Drawers), circa 1970
1970_14_Winged Victory, 1970
1970_18_Les Clemolselles D'Avignon (The Girls of Avignon), 1970
1970_20_The Dalinian Senyera (Catalonian National Flag), 1970
1970_21_The Horseman of the Apocalypse, 1970
1971_01_Ceiling of the Hall of Gala's Chateau at Pubol, 1971
1971_02_The Second Coming of Christ, 1971
1971_05_View of Pubol, 1971
1971_07_Caligula's Horse (DalH's Horses), circa 1971
1971_08_The Christian Knight (DalH's Horses), 1971
1971_11_Figure with Flag. Illustration for 'Memories of Surrealism', circa 1971
1971_13_Design for the Pool at Port Lligat, 1971
1971_14_The Second Coming of Christ, 1971
1971_15_Le Char d'Or, 1971
1971_president_lincoln_010065
1972_01_DalH from the Back Painting Gala from the Back Eternalized by Six Virtual Corneas Provisionally Reflected in Six Real Mirrors (unfinished), circa 1972-73
1972_02_Polyhedron. Basketball Players Being Transformed into Angels (Assembling a Hologram - the Central Element), 1972
1972_03_Overture in Trompe l'Oeil, circa 1972
1972_04_Palace of the Winds, circa 1972-73
1972_06_Trajan on Horseback, 1972
1972_07_Self-Portrait (Photomontage with the famous 'Mao-Marilyn' that Philippe Halsman created at DalH's wish), 1972
1972_08_Marilyn Monroe, 1972
1972_09_Radiators, Radiator-Covers, circa 1972
1972_10_The Face, 1972
1972_11_Space Eve, 1972
1972_12_Quantification of Leonardo de Vinci's 'Last Supper', circa 1972
1972_13_'DalH' Palette. Frontispiece for the outline of 'The Key DalH Paintings', 1972
1972_14_Gala's Dream (Dream of Paradise), circa 1972
1972_15_DalH from the Back Painting Gala from the Back Eternalized by Six Virtual Corneas Provisionally Reflected in Six Real Mirrors (unfinished), circa 1972-73
1972_17_The Sleeping Smoker, circa 1972-73
1972_18_The Sleeping Smoker, circa 1972-73
1972_19_Untitled (Stereoscopic Painting), 1972
1972_20_Palace of the Winds (ceiling painting in the Teatro Museo DalH; detail), 1972-73
1972_21_The Daughter of the West Wind, 1972
1973_02_Gala's Castle at Pubol, 1973
1973_06_Hitler Masturbating, 1973
1973_08_Ceiling of the 'Palace of the Wind', circa 1973
1973_12_Portrait of Dr. Brian Mercer, 1973
1973_13_Las Galas of Port Lligat, 1973
1973_14_The Prince of Sleep (El principe de ensueno), 1973-79
1974_01_Equestrian Portrait of Carmen Bordiu-Franco, 1974
1974_02_Battle in the Clouds, 1974
1974_03_Armchair with Landscape Painted for Gala's Chateau at Pubol, circa 1974
1974_04_To Meli, 1974
1974_05_Wounded Soft Watch, 1974
1974_09_Ruggiero Freeing Angelica, 1974
1974_10_The Palace of the Wind, 1974
1974_11_The Palace of the Wind, 1974
1974_13_Transformation of 'Antiques' Magazine Cover into the Apparition of a Face, 1974
1974_15_Gala's Foot (left panel), 1974
1974_16_Gala's Foot (right panel), 1974
1974_22_Cranach Metamorphosis (Woman in a Mirror), 1974
1974_25_Gala Contemplating the Mediterranean Sea Which at Twenty Meters Becomes the Portrait of Abraham Lincoln - Homage to Rothko (first version), circa 1974-75
1975_01_The Chair (stereoscopic work, right component), 1975
1975_06_The Chair (stereoscopic work, left component), 1975
1975_08_Lullus - Homage to Raimundus Lullus (design for a ceiling painting), 1975
1976_01_Gala Contemplating the Mediterranean Sea Which at Twenty Meters Becomes the Portrait of Abraham Lincoln - Homage to Rothko (second version), 1976
1976_02_Soft Monster (Monstruo blando adormercido), 1976
1976_03_Portrait of Gala, 1976-77
1976_12_The Unicorn (unfinished), 1976
1976_14_The Wash Basin (stereoscopic work, left component), 1976
1976_15_The Wash Basin (stereoscopic work, right component), 1976
1976_16_The Chair (stereoscopic work, left component), 1976
1976_17_The Chair (stereoscopic work, right component), 1976
1976_20_Las Meninas (The Maids-in-Waiting) (stereoscopic work, left component), 1976-77
1976_21_Las Meninas (The Maids-in-Waiting) (stereoscopic work, right component), 1976-77
1977_01_DalH's Hand Drawing Back the Golden Fleece in the Form of a Cloud to Show Gala the Dawn, Completely Nude, Very, Very Far Away Behind the Sun (stereoscopic work, right component), 1977
1977_02_The Happy Unicorn, 1977
1977_03_DalH Lifting the Skin of the Mediterranean Sea to Show Gala the Birth of Venus (stereoscopic work, right component), 1977
1977_04_Portrait of Gala, circa 1977
1977_05_The Wash Basin (stereoscopic work, right component), 1976
1977_09_Head (stair-way in the museum), 1977
1977_10_Soft Skulls with Fried Egg Without the Plate, Angels and Soft Watch in an Angelic Landscape, 1977
1977_11_Nike, Victory Goddess of Samothrace, Appears in a Tree Bathed in Light, circa 1977
1977_12_Aurora's Head, After Michelangelo (detail of a Figure on the Grave of Lorenzo Di Medici), 1977
1977_13_Surrealist Angel, circa 1977
1977_15_Fertility, 1977
1977_20_Las Meninas (The Maids-in-Waiting) - first metaphysical hyper-realist painting (unfinished), 1977
1977_21_Randomdot Correlogram - The Golden Fleece (stereoscopic work, left component; unfinished), circa 1977
1977_22_Randomdot Correlogram - The Golden Fleece (stereoscopic work, right component; unfinished), circa 1977
1977_23_DalH's Hand Drawing Back the Golden Fleece in the Form of a Cloud to Show Gala the Dawn, Completely Nude, Very, Very Far Away Behind the Sun (stereoscopic work, left component), 1977
1978_01_Cybernetic Odalisque, 1978
1978_02_Gala's Christ (stereoscopic work, right component), 1978
1978_03_The Harmony of the Spheres, 1978
1978_04_Allegory of Spring, 1978
1978_05_Ampurdanese Landscape, 1978
1978_07_Woman with Egg and Arrows, circa 1978
1978_08_Gala's Christ (stereoscopic work, left component), 1978
1978_09_The Eye of the Angelus (stereoscopic work, left component; unfinished), 1978
1978_10_The Eye of the Angelus (stereoscopic work, right component; unfinished), 1978
1978_11_Stereoscopic Composition, Based on Millet's 'Angelus' (unfinished), circa 1978
1978_12_Stereoscopic Composition, Based on Millet's 'Angelus' (unfinished), circa 1978
1978_13_Pierrot Lunaire (stereoscopic work, unfinished), 1978
1978_14_Landscape Near Ampurdan, 1978
1978_16_Dark Tapeworms, circa 1978
1979_01_Searching for the Fourth Dimension, 1979
1979_02_A Soft Watch Put in the Appropriate Place to Cause a Young Ephebe to Die and Be Resuscitated by Excess of Satisfaction (unfinished), 1979
1979_03_Dawn, Noon, Sunset, and Twilight, 1979
1979_05_More Beautiful than Canova, 1979
1979_06_Battle in the Clouds (stereoscopic work, left component), 1979
1979_07_Battle in the Clouds (stereoscopic work, right component), 1979
1979_08_Athens Is Burning! The School of Athens and the Fire in the Borgo (stereoscopic work, left component), 1979-80
1979_09_Pentagonal Sardana (stereoscopic work, left component), 1979
1979_10_Pentagonal Sardana (stereoscopic work, right component), 1979
1979_11_Long Live the Station at Perpignan, Long Live Figueras, 1979
1979_12_Phosphene, 1979
1979_13_Raphaelesque Hallucination, 1979
1979_14_Nude and Horse with Metamorphosis (unfinished), circa 1979
1979_15_Three Graces of Canova (unfinished), 1979
1979_16_Study for 'Compianto Diabele' by Canova (unfinished), circa 1979
1979_17_Athens Is Burning! The School of Athens and the Fire in the Borgo (stereoscopic work, right component), 1979-80
1979_18_Copy of a Rubens Copy of a Leonardo, 1979
1980_02_Untitled (Landscape with Celestial Beings), 1980
1980_03_The Cheerful Horse, 1980
1980_04_Sleeping Young Narcissus, 1980
1980_05_Untitled (Bridge with Reflections; sketch for a dual image picture, unfinished), 1980
1980_06_Arabs, 1980
1980_07_Group Surrounding a Reclining Nude - Velazquez, 1980-81
1980_08_Arabs, 1980
1981_01_Apparition of the Visage of Aphrodite of Cnide in a Landscape, 1981
1981_02_The Path of Enigmas (second version), 1981
1981_03_The Pearl, 1981
1981_04_The Towers, 1981
1981_05_Hermes, 1981
1981_06_The Tower of Enigmas, circa 1981
1981_07_Tower, 1981
1981_08_Mercury and Argos, 1981
1981_09_The Garden of Hours, 1981
1981_10_Great Tapeworm Masturbator, Appears Behind Arcades, 1981
1981_11_Seated Figure Contemplating a 'Great Tapeworm Masturbator', 1981
1981_12_Tower, 1981
1981_13_Ready-to-wear Fashion for Next Spring; 'Garlands, Nests and Flowers', 1981
1981_14_The Gaseous Swan, 1981
1981_15_Amphitrite, 1981
1981_16_The Path of Enigmas (first version), 1981
1981_17_Argus, circa 1981
1981_18_Medea or Jason Taking Possession of the Golden Fleece, 1981
1981_19_Landscape, 1981
1981_20_Landscape with Rock in the Shape of a Triumphal Arch, 1981
1981_21_Jason Carrying the Golden Fleece (unfinished), circa 1981
1981_22_The Exterminating Angels, 1981
1981_23_Untitled (Female Bust with Draped Cloth), 1981
1981_24_Figures (Scene after Goya), 1981
1981_25_Woman on a Ram, 1981
1981_26_Untitled (Head of a Woman; unfinished), 1981
1981_27_Untitled (Skin of a Beach), 1981
1981_28_Reading. Family Scene by Lamplight, 1981
1981_29_Untitled (Imaginary Landscape at Pubol), 1981
1981_30_Spanish Nobleman with a Cross of Brabant on His Jerkin, 1981
1981_31_Three Female Figures in Festive Gowns, 1981
1981_32_Gala in a Patio Watching the Sky, Where the Equestrian Figure of
PrinceBaltasar Carlos and Several Constellations (All) Appear, after Velazquez, 1981
1981_33_Classic Figure and Head (unfinished), 1981-82
1982_01_Figure Inspired by the Adam of the Ceiling of the Sistine Chapel, 1982
1982_02_The Infanta Margarita of Velazquez Appearing in the Silhouette of Horsemen in the Courtyard of the Escorial, 1982
1982_03_Pieta, 1982
1982_04_Pieta, 1982
1982_05_The Three Glorious Enigmas of Gala, 1982
1982_06_Velazquez Dying Behind the Window on the Left Side Out of Which a Spoon Projects, 1982
1982_07_Warrior, 1982
1982_08_Saint Sebastian, 1982
1982_09_Ole, 1982
1982_13_Othello Dreaming Venice, 1982
1982_14_Untitled (After 'The Day' by Michelangelo), 1982
1982_15_Untitled (After 'The Night' by Michelangelo), 1982
1982_16_Double Victory of Gaudi, 1982
1982_17_Architectural Contortion of El Escorial, 1982
1982_18_El Escorial and Catastrophe-Form Calligraphy, 1982
1982_19_The Three Glorious Enigmas of Gala (second version), 1982
1982_20_Velazquez and a Figure, 1982
1982_21_Untitled - Equestrian Figure of Prince Baltasar Carlos, after Velazquez, with Figures in the Courtyard of the Escorial, 1982
1982_22_Don Jose Nieto Velazquez from 'Las Meninas' by Velazquez, Musec, Del Prado, Madrid, 1982
1982_23_Untitled (Composition - Courtyard of the Escorial with Figure and Sebastian De Morra, Veldzquez's Dwarf), 1982
1982_24_In the Courtyard of the Escorial, the Silhouette of Sebastian De Morra, in which the Face of Gala, Surrounded by Catastrophic Signs, Appears (stereoscopic work, unfinished), 1982
1982_25_Sebastian de Morra with Catastrophic Signs (stereoscopic work, unfinished), 1982
1982_26_Untitled (first study for 'The Three Glorious Enigmas of Gala'), 1982
1982_27_Study for 'Ole' (unfinished), 1982
1982_28_Enigma (unfinished version of 'The Three Glorious Enigmas of Gala'), 1982
1982_29_After the Head of 'Giuliano di Medici', Florence, 1982
1982_30_Head, after Michelangelo's, 'Giuliano di Medici', 1982
1982_31_Exploded Head, 1982
1982_32_Topological Study for 'Exploded Head', 1982
1982_33_After Michelangelo's 'Squatting Child', 1982
1982_34_'Giuliano di Medici' by Michelangelo, Seen from Behind, 1982
1982_35_After Michelangelo's 'Moses', on the Tomb of Julius II in Rome, 1982
1982_36_Rock Figure after the Head of Christ in the 'Pieta' of Palestrina by Michelangelo, 1982
1982_37_Untitled - Nude Figures after Michelangelo, 1982
1982_38_Figure in the Water - After a Drawing by Michelangelo for the 'Resurrection of Christ', 1982
1982_39_Figure after Michelangelo's 'Dawn' on the Tomb of Lorenzo di Medici, 1982
1982_40_Scene in the Courtyard of the Escorial with a Figure in the Foreground Inspired by Michelangelo's 'Evening' on the Tomb of Lorenzo di Medici, 1982
1982_41_Landscape with Hidden Image of Michelangelo's 'David', 1982
1982_42_Atmospherocephalic Figures, 1982
1982_43_Mirror Women - Mirror Heads, 1982
1982_44_Martyr - Inspired by the Sufferings of DalH in His Illness, 1982
1983_01_Topological Contortion of a Female Figure Becoming a Violoncello, 1983
1983_02_The Swallowtail, 1983
1983_03_Bed and Two Bedside Tables Ferociously Attacking a Cello (Final Stage), 1983
1983_04_Cutlet and Match - The Chinese Crab, 1983
1983_05_Topological Abduction of Europe - Homage to Rene Thom, 1983
1983_07_Bed and Two Bedside Tables Ferociously Attacking a Cello, 1983
1983_08_Bed and Two Bedside Tables Ferociously Attacking a Cello, 1983
1983_14_Untitled (Figures, Pieta, Catastrophic Signs), 1983
1983_15_Head Inspired by Michelangelo, 1983
1983_16_Bed and Two Bedside Tables Ferociously Attacking a Cello (last state), 1983
1983_17_Bed and Bedside Table Ferociously Attacking a Cello, 1983
1983_18_St. George Overpowering a Cello, 1983
1983_19_Bed, Chair and Bedside Table Ferociously Attacking a Cello, 1983
1983_20_Warrior Mounted on an Elephant Overpowering a Cello, 1983
1983_21_Pieta, 1983
1983_22_The Truck (We'll be arriving later, about five o'clock), 1983
1983_23_Topological Contortion of a Female Figure, 1983
1983_24_Untitled - Head of a Spanish Nobleman, Fashioned by the Catastrophe Model from a Swallow's Tail and Two Halves of a Cello, 1983
Dal was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters. His best-known work hands down is, The Persistence of Memory, which was completed in 1931. Dal's expansive artistic repertoire includes film, sculpture and photography, in addition to a range of artists in a variety of media.
Dal attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental clothes" to a self-styled "Arab lineage," claiming that his ancestors were descended from the Moors which are known as black and/or Arab.
Dal was highly imaginative. To the point that he had an affinity for partaking in unusual behavior. His eccentric manner and attention-grabbing public actions often drew more attention than his artwork many times and to the dismay of those who held his work in high esteem and to the major irritation of his critics.
Gustave Klimt was another well known, famous painter during the same time period as Dali. Gustav Klimt (1862-1918) was one of the most innovative and controversial artists of the early 20th century. The son of an engraver, he studied at the State School of Applied Arts which was located in Vienna. In the 1880's and 1890's, he produced murals for public buildings including Vienna's Burgtheater and new Kunsthistorisches Museum (Art History Museum) -- in the prevailing classical-realist style. Klimt's style grew increasingly experimental and his murals for Vienna University commissioned by the State in 1894, were roundly attacked by critics for their fantastical imagery and their bold, decorative style. Partly in response to this reaction, in 1897 Klimt helped form the Secession, which was a group of artists dedicated to challenging the conservative Academy of Fine Arts. Influenced by European avant-garde movements represented in the annual Secession exhibitions, Klimt's mature style combined with richly decorative surface patterning and complex symbolism and allegory, was often overtly sexual, and erotic.
After 1900, he focused on portraits and landscapes, although he also produced two of his greatest murals during this period. They were... The Beethoven Frieze, exhibited at the Secession in 1902, and decorations for the Palais Stoclet in Brussels (1904-1911). Klimt spent most of his summers on the Attersee, near Salzburg, where he drew inspiration for many of his landscapes, he painted some of his best-known works here, including the famous art, "The Kiss" of 1907-8.
Below Is A List Of All Paintings By Salvador Dali: 1910_01_Landscape Near Figueras, 1910
1913_01_Vilabertrin, 1913
1914_01_Fiesta in Figueres, 1914-16
1914_02_Dutch Interior, 1914
1914_03_Landscape Near Ampurdan, circa 1914
1916_01_Landscape, circa 1916
1916_04_Untitled - Landscape with Animals, circa 1916
1917_01_View of CadaquNs with Shadow of Mount Pani, 1917
1917_02_Crepuscular Old Man, 1917-18
1917_04_CadaquNs, circa 1917
1918_01_Still Life, 1918
1918_02_Portrait of Lucia (Retrato de Lucia), circa 1918
1918_03_Boat, circa 1918
1918_04_Hort del Llane, 1918-19
1918_05_Playa Port Alguer from Riba d'en Pitxot, 1918-19
1918_06_PortdoguN, 1918-19
1918_07_Punta es Baluard de la Riba d'en Pitxot, 1918-19
1918_08_Port of CadaquNs (Night), 1918-19
1918_10_Duck, 1918
1918_12_Sea View, 1918-19
1918_13_Vilabertrin Church Tower, 1918-19
1918_14_Playa Port Alguer De La Riba, D'en Pitxot, 1918-19
1919_01_Portrait of Hortensia, Peasant Woman of CadaquNs, circa 1919
1919_02_Self-Portrait in the Studio, 1919
1919_03_The Tartan 'El Son', circa 1919
1919_05_Landscape (CadaquNs), 1919-20
1919_07_Portrait of Mr. Pancraci, circa 1919
1919_08_Portrait of a Gipsy, 1919
1919_09_Es Pianc, circa 1919
1919_11_The Three Pines, 1919
1919_12_The Port of CadaquNs, circa 1919
1919_13_LlanN Beach, CadaquNs, 1919
1919_14_Port DoguN - CadaquNs, 1919
1919_16_Es Poal - Pianque, 1919-20
1919_17_My Cousin Montserrat, 1919-20
1919_18_Orchard at LlanN (CadaquNs), 1919-20
1919_19_Still Life; Pomegranates, circa 1919
1920_01_View of PortdoguN (Port Aluger), 1920
1920_02_The Lake at Vilabertran, circa 1920
1920_03_Calanque Jonculs (Cadaqus), 1920
1920_04_Landscape, circa 1920
1920_05_Tieta, circa 1920
1920_06_Portrait of the Violoncellist Ricardo Pichot, 1920
1920_07_Portrait of Jose M. Torres, circa 1920
1920_09_View of CadaquNs from Playa Poal, 1920
1920_10_Two Gypsy Lads, 1920-21
1920_11_Saltimbanques, 1920-21
1920_13
1920_14_The Garden of Llaner, 1920-21
1920_15_Small Rocky Bay of Nans (CadaquNs), 1920-21
1920_16_The Vegetable Garden of Llaner, 1920
1920_1921_self-portrait_with_the_neck_of_raphael_010007
1920_24_Grandmother Ana Sewing, circa 1920
1920_25_Portrait of the Artist's Mother, Dofia Felipa Dome Domenech De, DalH, 1920
1920_26
1920_28_Untitled - the Artist in His Studio in Riba D'en Pitxot in CadaquNs, 1920-21
1920_29_Still Life, circa 1920
1920_30_Still Life by a Window, circa 1920
1920_31
1920_32_Moonlight Over the Bay At, CadaquNs, circa 1920
1920_33_Landscape Near CadaquNs, 1920-21
1920_34_Landscape Near CadaquNs, 1920-21
1920_portrait_of_the_violoncellist_ricardo_pichot_010008
1921_01_Back View of CadaquNs, 1921
1921_02_Portrait of My Father, circa 1921
1921_03_Self-portrait with the Neck of Raphael, circa 1921
1921_04_Self-portrait (Figueres), 1921
1921_05_Self-portrait, circa 1921
1921_06_Portrait of Grandmother Ana Sewing, circa 1921
1921_07_Llaner Beach in CadaquNs, circa 1921
1921_08_Self-portrait, 1921
1921_09_Poster_ Fieres i Festes de la Santa Creu, 1921
1921_10_Voyeur, 1921
1921_12_Young Girls in a Garden, 1921
1921_14_Fair of the Holy Cross - The Circus, 1921
1921_15_Man Holding Up a Baby as Though He Were Drinking from a Bottle, 1921
1921_16_The Picnic, 1921
1921_19_Festival of St. Lucia At, Villamalla, 1921
1921_20_Moonlight at Little LlanN, 1921
1921_21_Self-Portrait, 1921
1921_23_Festival in Figueras, 1921
1921_24_Festival at San Sebastian, 1921
1921_25_Festival of St. Lucia At, Villamalla, 1921
1921_26_Nymphs in a Romantic, Garden, 1921
1921_27_A Seated Man and a Dancing Couple, 1921
1921_28_Romeria - Pilgrimage, 1921
1921_29_Man with Porron, 1921
1921_31_Portrait Ofjaume Miravidles, 1921-22
1921_32_Portrait of Jaume Miravidles as a Footballer, 1921-22
1921_33_Motherhood, circa 1921
1922_01_Still Life (Pulpo y scorpa), 1922
1922_02_CadaquNs, 1922
1922_04_The Lane to Port Lligat with the View of Cape Creus, 1922-23
1922_05_PortdoguN and Mount Pani from Ayuntamiento, 1922
1922_06_Cabaret Scene, 1922
1922_07_Jug, 1922-23
1922_15_Fishermen at CadaquNs, 1922
1922_17_Landscape - CadaquNs, 1922
1922_18_Still Life, 1922
1922_19_Still Life with Aubergines, 1922
1922_20_Still Life, 1922
1922_21_Still Life - Fish, 1922
1922_23_Untitled - Scene in a Cabaret in Madrid, 1922
1922_27_Villa Pepita, 1922
1922_30_Untitled - Landscape Near, Madrid, 1922-23
1922_31_Madrid, Architecture and Poplars, 1922
1923_01_Nude in a Landscape, circa 1923
1923_02_Portrait of My First Cousin, 1923
1923_03_The Sick Child (Self-portrait in CadaquNs), circa 1923
1923_04_El Moli - Landscape Near CadaquNs, 1923
1923_05_CadaquNs, 1923
1923_06_Cubist Self-Portrait with 'La Publicitat', 1923
1923_07_Figures in a Landscape at Ampurdan, 1923
1923_08_Self-portrait with L'Humanitie, 1923
1923_09_Domestic Scene, 1923
1923_10_Woman Nursing Her Son (Mujer amamantando a su hijo), 1923
1923_11_CadaquNs (Seen from the Tower of Creus), 1923
1923_12_Bathers of La Costa Brava - Bathers of Llaner, 1923
1923_13_Figueras Gypsy, 1923
1923_14_Crystalline Still Life, 1923
1923_15_Still Life_ Fish with Red Bowl, 1923-24
1923_18_Satirical Composition ('The Dance' by Matisse), 1923
1923_23_The Jorneta Stream, 1923
1923_24_Landscape Near CadaquNs, 1923
1923_25_La Jorneta, 1923
1923_28_Cubist Composition - Portrait of a Seated Person Holding a Letter, 1923
1923_29_Still Life, 1923
1923_30_Still Life, 1923
1923_35_Portrait of My Sister (original State), 1923-24
1923_36_Portrait of My Cousin Ana, Maria Domenech, circa 1923
1923_38_Fried Egg on the Plate without the Plate, 1923
1924_01_Bather, 1924
1924_02_Port Alguer, 1924
1924_03_Portrait of Ana Maria, 1924
1924_04_Portrait of Luis Bunuel, 1924
1924_05_Still Life, 1924
1924_06_Ana Maria, 1924
1924_07_Still Life; Watermelon, 1924
1924_08_Bouquet (L'Important c'est la Rose), 1924
1924_11_Siphon and Small Bottle of Rum, 1924
1924_13_The Station at Figueras, 1924
1924_14_Plant, 1924
1924_15_Still Life, 1924
1924_16_Pierrot and Guitar, 1924
1924_18_Still Life, 1924
1924_still_life_sandia_010009
1925_01_Female Nude, 1925
1925_02_Figure at a Window, 1925
1925_03_Girl from the Back, 1925
1925_04_Portrait of the Artist's Father, 1925
1925_05_Venus and a Sailor - (Homage to Salvat-Papasseit), 1925
1925_06_Venus with Cupids, 1925
1925_07_Venus and a Sailor (1), 1925
1925_08_Portrait of Ana Maria (CadaquNs), circa 1925
1925_09_Portrait of Maria Carbona, 1925
1925_11_Port Alguer, 1925
1925_12_Bay of CadaquNs, 1925
1925_13_Cala Nans, 1925
1925_14_Double-sided Verso (Studio Scene), circa 1925
1925_15_Seated Monk, 1925
1925_16_Pierrot Playing the Guitar, 1925
1925_17_Still Life with Moonight, 1925
1925_18_Study of Nude, 1925
1925_19_Nude in the Water, 1925
1925_22_Thought, 1925
1925_23_Venus and a Sailor (2), 1925
1925_26_Landscape Near Ampurdan, 1925
1925_27_Landscape Near Ampurdan, 1925
1925_28_Still Life, circa 1925
1925_30_Venus with Cupids (detail), 1925
1926_01_The Basket of Bread, 1926
1926_02_Figure on the Rocks (Figura damunt les roques), 1926
1926_03_Figure on the Rocks (Penya Segats), 1926
1926_04_The Girl of Figueras, 1926
1926_05_Girl with Curls, 1926
1926_06_Girl's Back, 1926
1926_07_Portrait of a Girl in a Landscape (CadaquNs), circa 1926
1926_08_Study for 'Blood Is Sweeter Than Honey', 1926
1926_09_Homage to Erik Satie, 1926
1926_10_Cubist Figure (Figura cubista), 1926
1926_13_Still Life with Two Lemons, circa 1926
1926_15_Rocks at Llane (Landscape near CadaquNs), 1926
1926_18_Self-Portrait Being Duplicated into Three, 1926-27
1926_20_Venus and Sailor (Girl and Sailor; Unfinished), 1926
1926_22_Ana Maria, Sewing, 1926
1926_23_Portrait of Sefiora Abadal De'Argemi, circa 1926
1926_24_Portrait of a Woman, (unfinished), 1926
1926_29_Women Lying on the Beach, 1926
1926_31_Neo-Cubist Academy (Composition with Three Figures), 1926
1926_33_Rocks of LlanN (first version), 1926
1926_basket_of_bread_010010
1926_figure_on_the_rocks_010011
1927_01_Apparatus and Hand, 1927
1927_02_Still Life by the Light of the Moon, 1927
1927_03_Harlequin, 1927
1927_04_Barcelonese Mannequin, 1927
1927_05_Ocell... Peix, 1927-28
1927_06_Nude Woman in an Armchair, circa 1927
1927_08_Head of a Woman, 1927
1927_13_Honey Is Sweeter Than Blood, 1927
1927_14_Untitled, 1927
1927_apparatus_and_hand_010012
1928_01_Bather, 1928
1928_02_Sun, 1928
1928_03_Symbiotic Woman-Animal, 1928
1928_04_Unsatisfied Desires, 1928
1928_05_The Ram (The Spectral Cow), 1928
1928_06_The Bather (Beigneuse), 1928
1928_07_Little Cinders (Senicitas), circa 1928
1928_08_The Donkey's Carcass, 1928
1928_09_Bird, 1928
1928_10_The Spectral Cow, 1928
1928_11_Rotting Bird, 1928
1928_13_Big Thumb, 1928
1928_14_Abstract Composition, 1928
1928_15_Composition, 1928
1928_16_Female Nude, 1928
1928_17_Sun, 1928
1928_19_Untitled, 1928
1928_20_Untitled, 1928
1928_21_Feminine Nude (first State), 1928
1928_22_Moonlight, circa 1928
1928_23_Untitled (the Sea and the Fishermen), 1928
1928_24_Fishermen in the Sun, 1928
1928_25_Soft Nude (Nude Watch), circa 1928
1928_26_Fishermen in CadaquNs, 1928
1928_27_Untitled, 1928
1928_28_Shell, 1928
1928_29_The Wounded Bird, 1928
1929_01_Accomodations of Desire, 1929
1929_02_The Enigma of Desire; My Mother, 1929
1929_03_The First Days of Spring, 1929
1929_04_The Great Masturbator, 1929
1929_05_Illumined Pleasures, 1929
1929_06_Imperial Monument to the Child-Woman, 1929
1929_08_The Invisible Man, 1929
1929_09_Lugubrious Game, 1929
1929_10_Portrait of Paul Eluard, 1929
1929_11_Profanation of the Host, 1929
1929_12_Phantasmagoria, 1929
1929_13_Man with Unhealthy Complexion Listening to the Sound of the Sea (The Two Balconies), 1929
1929_illumined_pleasures_010013
1929_portrait_of_paul_eluard_010014
1929_the_dismal_sports_010015
1929_the_first_day_of_spring_010016
1929_the_imperial_monument_for_child-woman_010017
1930_01_The Bleeding Roses, 1930
1930_02_The Font, 1930
1930_03_Invisible Sleeping Woman, 1930
1930_04_Vertigo, 1930
1930_05_Invisible Sleeping Woman, 1930
1930_06_Portrait of Mr. Emilio Terry (unfinished), 1930
1930_07_The Average Bureaucrat, 1930
1930_08_The Ghost of the Evening, 1930
1930_09_The Hand, 1930
1930_10_Premature Ossification of a Railway Station, 1930
1930_11_William Tell, 1930
1930_12_The Great Masturbator, 1930
1930_13_Oedipus Complex, 1930
1930_18_Paranoiac Woman-Horse, 1930
1930_25_The Feeling of Becoming, 1930
1930_28_Chocolate, circa 1930
1930_the_fountain_010018
1931_01_Diurnal Illusion; the Shadow of a Grand Piano Approaching, 1931
1931_02_The Dream, 1931
1931_03_Le Spectre et le Fantome, 1931
1931_04_The Old Age of William Tell, 1931
1931_05_Partial Hallucination. Six apparitions of Lenin on a Grand Piano, 1931
1931_06_The Persistence of Memory, 1931
1931_07_Shades of Night Descending, 1931
1931_08_Woman Sleeping in a Landscape, 1931
1931_09_Portrait of Gala, 1931
1931_10_Remorse or Sunken Sphinx, 1931
1931_11_Solitude, 1931
1931_12_Gradiva Finds the Anthropomorphic Ruins, 1931
1931_13_Board of Demented Associations (Fireworks), circa 1931
1931_14_On the Seashore, 1931
1931_15_Vegetable Metamorphosis, 1931
1931_16_Combinations (or The Combined DalHnian Phantasms; Ants, Keys, Nails), 1931
1931_20_Symbiosis of a Head of Seashells, 1931
1931_22_Olive, 1931
1931_23_Untided (William Tell and Gradiva), 1931
1931_25_Gradiva, 1931
1931_26_Untitled, 1931
1931_27_Landscape, 1931
1931_29_Mme. Reese, circa 1931
1931_30_They Were There, 1931
1931_partial_hallucination_six_apparitions_of_lenin_on_a_grand_piano_010019
1931_the_persistence_of_memory_010020
1932_01_Anthropomorphic Bread, 1932
1932_02_The Average Fine and Invisible Harp, 1932
1932_03_The Birth of Liquid Desires, 1932
1932_04_Diurnal Fantasies, 1932
1932_05_Eggs on the Plate Without the Plate, 1932
1932_06_Memory of the Child-Woman, 1932
1932_07_Phosphene of Laporte, 1932
1932_08_Portrait of the Viscountess Marie-Laure de Noailles, 1932
1932_09_Surrealist Object Gauge of Instantaneous Memory, 1932
1932_10_Suez, 1932
1932_11_The True Painting of 'The Isle of the Dead' by Arnold Bocklin at the Hour of the Angelus, 1932
1932_12_Agnostic Symbol, 1932
1932_13_Ordinary French Loaf with Two Fried Eggs Riding Without a Plate, 1932
1932_14_The Invisible Man, 1932
1932_15_The Meeting of the Illusion and the Arrested Moment - Fried Eggs Presented in a Spoon, 1932
1932_16_The Veiled Heart, 1932
1932_18_Portrait of Gala, circa 1932-33
1932_1934_meditation_on_the_harp_010021
1932_19_Eggs on the Plate Without the Plate, 1932
1932_20_The Dream Approaches, 1932-33
1932_23_Anthropomorphic Bread, 1932
1932_28_Nostalgia of the Cannibal, 1932
1932_31_The Knight at the Tower, 1932
1932_32_Untitled - Female Figure with Catalonian Bread, 1932
1932_36_Babaouo - Publicity Announcement for the Publication of the Scenario of the Film, 1932
1932_37_Surrealist Architecture, circa 1932
1932_38_Detail of 'Meditation on The Harp', circa 1932-34
1932_41_The Mysterious Sources of Harmony, 1932-33
1932_42_Automatic Beginning of a Portrait of Gala (unfinished), 1932
1932_43_The Birth of Liquid Fears, 1932
1932_44_Surrealist Essay, 1932
1933_01_Ambivalent Image, 1933
1933_02_Apparition of My Cousin Carolineta on the Beach at Rosas, 1933
1933_03_The Architectural Angelus of Millet, 1933
1933_04_Average Atmospherocepalic Bureaucrat in the Act of Milking a Cranial Harp, 1933
1933_06_The Enigma of William Tell, 1933
1933_07_Gala and the Angelus of Millet Preceding the Imminent Arrival of the Conical Anamorphoses, 1933
1933_08_Geological Destiny, 1933
1933_10_Myself at the Age of Ten When I Was the Grasshopper Child, 1933
1933_11_Necrophilic Fountain Flowing from a Grand Piano, 1933
1933_12_The Phantom Cart, 1933
1933_13_Portrait of Gala with Two Lamb Chops Balanced on Her Shoulder, 1933
1933_14_Soft Watches, 1933
1933_15_Sugar Sphinx (detail), 1933
1933_16_The Triangular Hour, 1933
1933_17_Sugar Sphinx, 1933
1933_1934_masochistic_instrument_010022
1933_22_The Phantom Cart, 1933
1933_28_Untitled - Death Outside the Head-Paul Eluard, circa 1933
1933_the_phenomenon_of_ecstasy_010023
1934_01_Atavism at Twilight, circa 1934
1934_02_Atavistic Vestiges After the Rain, 1934
1934_03_Atmospheric Skull Sodomizing a Grand Piano, 1934
1934_05_Enigmatic Elements in the Landscape, 1934
1934_06_Figure and Drapery in a Landscape, circa 1934
1934_07_Fossil Cloud, 1934
1934_08_The Ghost of Vermeer of Delft Which Can Be Used As a Table, 1934
1934_09_Masochistic Instrument, circa 1934
1934_10_Meditation on the Harp, circa 1934
1934_11_Moment of Transition, 1934
1934_12_Morning Ossification of the Cypress, 1934
1934_13_Paranoiac Astral Image, 1934
1934_14_Persistence of Fair Weather, circa 1934
1934_15_The Signal of Anguish, 1934
1934_16_Skull with Its Lyric Appendage Leaning on a Night Table which Should Have the Exact Temperature of a Cardinal's Nest, 1934
1934_17_The Specter of Sex Appeal, 1934
1934_18_The Weaning of Furniture-Nutrition, 1934
1934_1935_portrait_of_mae_west_010024
1934_19_The Javanese Mannequin, 1934
1934_20_Surrealist Poster, 1934
1934_21_The Invisible Harp, 1934
1934_22_Cardinal, 1934
1934_23_The Tower, 1934
1934_25_Hairdresser Depressed by the Persistent Good Weather, 1934
1934_26_The Ship, 1934-35
1934_27_The Knight of Death, 1934
1934_30_Portrait of a Woman, 1934
1934_32_Portrait of Gala with a Lobster (Portrait of Gala with Aeroplane Nose), circa 1934
1934_33_Cannibalism of the Praying Mantis of Lautreamont, 1934
1934_34_Melancholy - to Marcel Remy in Friendship, Salvador DalH, 1934
1934_36_The Spectre of the Angelus, circa 1934
1934_45_The Isle of the Dead - Centre, Section - Reconstructed, Compulsive Image, After Becklin, 1934
1934_46_Night Spectre on the Beach, 1934
1934_48_Ghost of Vermeer Van Delft, circa 1934
1934_49_The Ghost of Vermeer van Delft, circa 1934
1934_51_Figure with Drawers for a Four-part Screen, circa 1934
1934_52_Surrealist Knight for a Four-part Screen, circa 1934
1934_55_Untitled (Desert Landscape), 1934
1934_58_Apparition of My Cousin Carolinetta on the Beach at Rosas, 1934
1934_59_The Sense of Speed, 1934
1934_60_Eclipse and Vegetable Osmosis, 1934
1934_61_The Hour of the Crackled Visage, 1934
1934_62_Untitled (Dreams on the Beach), 1934
1934_63_West Side of the Isle of the Dead - Reconstructed Compulsive Image After Becklin, 1934
1934_64_Aerodynamic Chair, 1934
1934_66_Surrealist Knights for a Four-part Screen, Centre Right, circa 1934
1934_67_Surrealist Warriors for a Four-part Screen, Centre Left, circa 1934
1934_68_Allegory of an American Christmas, 1934
1934_atmospheric_skull_sodomizing_a_grand_piano_detail_of_skull_010025
1934_the_ghost_of_vermeer_of_delft_which_can_be_used_as_a_table_010026
1934_the_weaning_of_furniture-nutrition_010027
1935_01_The Angelus of Gala, 1935
1935_02_Archaeological Reminiscence of Millet's Angelus, 1935
1935_03_Face of Mae West Which May Be Used as an Apartment, circa 1935
1935_04_Mediumnistic-Paranoiac Image, 1935
1935_05_Paranoiac-Critical Solitude, 1935
1935_06_Puzzle of Autumn, 1935
1935_07_The Horseman of Death, 1935
1935_08_Poster Project, 1935
1935_09_Woman with a Head of Roses, 1935
1935_10_Solitude - Anthropomorphic Echo, 1935
1935_11_Paranonia, 1935-36
1935_13_Exquisite Cadaver, 1935
1935_17_The Surrealist Mystery of New York I, 1935
1935_1936_the_apparition_of_town_delft_010028
1935_19_The Echo of the Vold, 1935
1935_20_Landscape After De Chirico (unfinished), 1935
1935_21_Paranoiac Visage - The Postcard Transformed, 1935
1935_22_Paranoiac Visage, 1935
1935_25_Nostalgic Echo, 1935
1935_archaeological_reminiscence_of_millet's_angelus_010029
1936_01_The Anthropomorphic Cabinet, 1936
1936_02_Apparition of the Town of Delft, circa 1936
1936_03_Autumn Cannibalism, 1936
1936_04_A Couple with Their Heads Full of Clouds, 1936
1936_06_The Dream places a Hand on a Man's Shoulder, 1936
1936_07_Geological Justice, 1936
1936_08_The Great Paranoiac, 1936
1936_09_'Morphological Echo', circa 1936
1936_10_The Pharmacist of Ampurdan in Search of Absolutely Nothing, 1936
1936_11_Soft Construction with Boiled Beans - Premonition of Civil War, 1936
1936_12_Sun Table, 1936
1936_13_Three Young Surrealistic Women Holding in Their Arms the Skins of an Orchestra, 1936
1936_15_White Calm, 1936
1936_16_Cover of 'Minotaure' Magazine, 1936
1936_17_The Man with the Head of Blue Hortensias, 1936
1936_18_Night and Day Clothes, 1936
1936_1937_cannibalism_in_autumn_010030
1936_1937_lighted_giraffes_010031
1936_1938_spain_010032
1936_21_Suburbs of a Paranoiac-Critical Town; Afternoon on the Outskirts of European History, 1936
1936_22_Man with His Head Full of Clouds, 1936
1936_23_Morphological Echo, 1936
1936_24_Head of a Woman in the Form of a Battle, 1936
1936_25_Singularities (Singularitats), circa 1936
1936_26_Landscape with Girl Skipping Rope, 1936
1936_27_Ampurdanese Yang and Yin, 1936
1936_28_Woman with Drawers, 1936
1936_29_Decalcomania, 1936
1936_30_The Ants, 1936-37
1936_34_The Forgotten Horizon, 1936
1936_35_The Fossilized Automobile of Cape Creus, 1936
1936_37_Ant Face. Drawing for the Catalogue Jacket of DalH's Exhibition at the Alex Reid and Lefevre Gallery in London, 1936
1936_38_Necrophiliac Springtime, 1936
1936_39_A Chemist Lifting with Extreme Precaution the Cuticle of a Grand Piano, 1936
1936_40_Surrealist Composition with Invisible Figures (second version of 'Rocks of LlanN'), circa 1936
1936_42_Hypnagogic Monument, 1936
1936_43_South (Noon), 1936
1936_44_Bread on the Head of the Prodigal Son, 1936
1936_50_Geodesic Portrait of Gala, 1936
1936_52_A Couple with Their Heads Full of Clouds, 1936
1936_59_The Vertebrate Grotto - Transfer Series, 1936
1936_soft_construction_with_boiled_beans_premonition_of_civil_war_010033
1936_the_outskirts_of_history_010034
1936_three_young_surrealistic_women_holding_in_their_arms_the_skins_of_an_orchestra_010035
1937_01_The Burning Giraffe, 1937
1937_02_The Invention of the Monsters, 1937
1937_03_Metamorphosis of Narcissus, circa 1937
1937_04_Palladio's Thalia Corridor, 1937
1937_06_Sleep, 1937
1937_07_Swans Reflecting Elephants, 1937
1937_08_Cannibalism of the Objects, 1937
1937_09_Perspectives, 1937
1937_10_Average Pagan Landscape, 1937
1937_11_Visions of Eternity, circa 1937
1937_15_Knights of Death, 1937
1937_18_Anatomical Studies - Transfer Series, 1937
1937_1938_metamorphosis_of_narcissus_010036
1937_20_Enchanted Beach (Long, Siphon), 1937
1937_27_Herodias, 1937
1938_01Apparition of Face and Fruit Dish on a Beach, 1938
1938_02_Beach with Telephone, 1938
1938_03-Enchanted Beach with Three Fluid Graces, 1938
1938_04_The Endless Enigma, 1938
1938_05_The Image Disappears, 1938
1938_06_Impressions of Africa, 1938
1938_07_Spain, 1938
1938_08_The Sublime Moment, 1938
1938_09_The Transparent Simulacrum of the Feigned Image, 1938
1938_10_Palladio's Corridor of Dramatic Surprise, 1938
1938_11_Debris of an Automobile Giving Birth to a Blind Horse Biting a Telephone, 1938
1938_12_Imperial Violets, 1938
1938_13_The Warning, 1938
1938_30_Invisible Afghan with the Apparition on the Beach of the Face of Garcia Lorca in the Form of a Fruit Dish with Three Figs, 1938
1938_31_Untitled - Figure (unfinished), 1938-39
1938_33_Untitled, 1938
1938_apparition_of_face_and_fruit_dish_on_a_beach_010037
1938_mountain_lake_with_telephone_010038
1938_mountain_lake_with_telephone_detail_of_telephone_010039
1938_the_endless_enigma_010040
1938_the_transparent_simulacrum_of_the_feigned_image_010041
1939_01_The Enigma of Hitler, circa 1939
1939_02_Mad Tristan, circa 1939
1939_03_Philosopher Illuminated by the Light of the Moon and the Setting Sun, 1939
1939_04_Telephone in a Dish With Three Grilled Sardines at the End of September, 1939
1939_05_Shirley Temple, 1939
1939_06_Freud's Perverse Polymorph (Bulgarian Child Eating a Rat), 1939
1939_07_Baby Map of the World, 1939
1939_08_Metamorphosis of the Five Allegories of Giovanni Bellini, 1939
1939_10_The Dream of Venus, 1939
1939_11_Bacchanale, 1939
1939_19_Landscape with Telephones on a Plate, 1939
1939_20_The Sphere Attacks the Pyramid. Cover of the Catalogue of the Exhibition at Julien Levy's in New York., 1939
1939_22_Set for 'Bacchanale', circa 1939
1939_23_Psychoanalysis and Morphology Meet, 1939
1939_27_Portrait of Gala (unfinished; detail), 1939
1939_28_Ballerina in a Death's Head, 1939
1939_29_Actress Betty Stockfeld Is Metamorphosed into a Nurse, 1939
1940_01_Daddy Longlegs of the Evening... Hope!, 1940
1940_03_Lady Louis Mountbatten, 1940
1940_04_Old Age, Adolescence, Infancy (The Three Ages), 1940
1940_05_Slave Market with the Disappearing Bust of Voltaire, 1940
1940_06_Visage of War, 1940
1940_07_Two Pieces of Bread, Expressing the Sentiment of Love, 1940
1940_11_Allegory of Sunset Air (Allegory of the Everning), 1940-41
1940_12_Group of Women Imitating the Gestures of a Schooner, 1940
1940_13_The Golden Age - Family of Marsupial Centaurs, 1940-41
1940_16_March of Time Comittee - Papillon, circa 1940
1940_slave_market_with_the_disappearing_bust_of_voltaire_010042
1940_three_ages_of_life_010043
1940_visage_of_war_010044
1941_01_Honey is Sweeter than Blood, 1941
1941_02_Maquette of the scenery for 'Labyrinth', 1941
1941_03_Ruin with Head of Medusa and Landscape, 1941
1941_04_Soft Self-portrait with Grilled Bacon, 1941
1941_05_Car Clothing (Clothed Automobile), 1941
1941_06_Invisible Bust of Voltaire, 1941
1941_07_Costume for a Nude with a Codfish Tail, 1941
1941_17_Original Sin, 1941
1941_18_Mysterious Mouth Appearing in the Back of My Nurse, 1941
1941_20_Design for the Set of 'Labyrinth', 1941
1941_21_Temple - Sketch for a Set Design, circa 1941
1941_22_The Triumph of Nautilus, 1941
1941_24_Portrait of Mrs. George Tait, II, 1941
1941_25_Set of 'Tristan and Isolde', 1941
1942_01_Juliet's Tomb, 1942
1942_02_Melancholy, 1942
1942_03_Design for the Interior Decoration of a Stable-Library, 1942
1942_05_Decor for 'Romeo et Juliet', 1942
1942_07_Birth of a New World, 1942
1942_09_Saint George and the Dragon, 1942
1942_10_Mural Painting for Helena Rubinstein (panel 1), 1942
1942_11_Untitled - Design for the Mural Painting for Helena Rubinstein, 1942
1942_12_Mural Painting for Helena Rubinstein (panel 2), 1942
1942_13_Mural Painting for Helena Rubinstein (panel 3), 1942
1942_14_Nude on the Plain of Rosas, 1942
1942_15_Untitled - Set Design (Figures Cut in Three), 1942
1942_16_Composition (Two Harlequins), 1942
1942_17_Equestrian Parade (possibly Set Design for 'Romeo and Juliet'), 1942
1942_18_The Two on the Cross, 1942
1942_21_Design for the set of 'Romeo and Juliet' (backdrops and wing flats), 1942
1942_22_Design for the set of 'Romeo and Juliet', 1942
1942_23_Study for the set of 'Romeo and Juliet', 1942
1942_24_Romeo and Juliet Memorial, 1942
1942_26_The Flames, They Call, 1942
1942_27_Design for a poster for 'The Secret Life of Salvador DalH', 1942
1942_28_Portrait of Mrs. Luther Greene, 1942
1942_30_Untitled - for the campaign against venereal disease, 1942
1942_31_Portrait of the Marquis De Cuevas, 1942
1942_32_Portrait of Mrs. Ortiz-Linares, 1942
1943_01_Geopoliticus Child Watching the Birth of the New Man, 1943
1943_02_The Poetry of America (unfinished), 1943
1943_03_Princess Arthchil Gourielli (Helena Rubinstein), circa 1943
1943_08_Portrait of Mrs. Harrison Williams, circa 1943
1943_09_Portrait of Ambassador Cardenas, 1943
1943_10_The Triumph of Tourbillon, 1943
1943_12_Untitled - New Accessoires, 1943
1943_13_Madonna, 1943
1943_14_Stage Curtain for the Ballet 'Cafe De Chinitas', 1943
1943_15_Painting for the backdrop of 'Cafe De Chinitas', 1943
1943_geopolitical_child_watching_the_birth_of_the_new_man_010045
1944_01_Galarina, 1944-45
1944_02_Giant Flying Demi-Tasse with Incomprehensible Appendage Five Meters Long, circa 1944-45
1944_03_One Second Before Awakening from a Dream Caused by the Flight of a Bee Around a Pomegranate, 1944
1944_04_Tristan and Isolde, 1944
1944_05_Sentimental Colloquy (Study for a Ballet), 1944
1944_06_The Apotheosis of Homer, 1944-45
1944_10_Study for the Backdrop of 'Mad Tristan' (Act II), 1944
1944_13_Study for the set of the ballet 'Tristan Insane' (Act 1), 1944
1944_16_Music - The Red Orchestra - The Seven Arts, 1944
1944_17_Women Metamorphosed - the Seven Arts, 1944
1944_18_Untitled - the Seven Arts, 1944
1944_19_Dance - the Seven Arts, 1944
1944_21_Untitled - the Seven Arts, 1944
1944_23_Paranoia (Surrealist Figures), 1944
1944_25_Untitled - Design for the ball in the dream sequence in 'Spellbound', 1944
1944_dream_inspired_by_a_bee_flying_around_a_pomegranate_a_second_before_waking_up_010046
1944_sentimental_colloguy_010047
1945_01_Basket of Bread, 1945
1945_02_My Wife, Naked, Looking at her own Body, 1945
1945_03_Napoleon's Nose, 1945
1945_04_Portrait of Mrs. Isabel Styler-Tas, 1945
1945_05_Three Apparitions of the Visage of Gala, 1945
1945_06_Melancholy, 1945
1945_07_Fountain of Milk Spreading Itself Uselessly on Three Shoes, 1945
1945_08_Autumn Sonata, 1945
1945_10_Resurrection of the Flesh, circa 1945
1945_11_The Broken Bridge and the Dream, 1945
1945_12_The Eye, 1945
1945_16_Design for the Film 'Spellbound' (1), 1945
1945_17_Design for the Film 'Spellbound' (2), 1945
1945_18_Victory - Woman Metamorphosing into a Boat with Angels, 1945
1945_19_Untitled - Scene with Marine Allegory, 1945
1945_20_Untitled - Portrait of a Woman, 1945
1945_22_Design for the set of the film 'Spellbound', 1945
1945_24_Spellbound, circa 1945
1945_25_Study for the dream sequence in 'Spellbound', circa 1945
1945_my_wife_nude_contemplating_her_own_flesh_becoming_stairs_010048
1946_01_The Temptation of Saint Anthony, 1946
1946_02_Christmas (Noel), 1946
1946_03_Nude in the Desert Landscape, 1946
1946_05_Composition - Portrait of Mrs. Eva Kolsman, 1946
1946_07_Double Image for 'Destino', 1946
1946_09_Desert Trilogy - Flower in the Desert, 1946
1946_10_Desert Trilogy - Apparition of a Couple in the Desert - for 'Desert Flower' perfume, 1946
1946_11_Desert Trilogy - Apparition of a Woman and Suspended Architecture in the Desert - for 'Desert Flower' perfume, 1946
1946_12_The Stain, 1946
1946_13_Untitled (Spanish Dances in a Landscape), 1946
1946_temptation_of_st_anthony_010049
1947_01_Dematerialization Near the Nose of Nero, 1947
1947_02_Feather Equilibrium (Interatomic Balance of a Swan's Feather), 1947
1947_03_Portrait of Picasso, 1947
1947_04_The Three Sphinxes of Bikini, 1947
1947_09_Design for 'Destino', 1947
1947_10_Design for 'Destino', 1947
1947_11_Rock and Infuriated Horse Sleeping Under the Sea, 1947
1947_12_Battle Over a Dandelion, 1947
1947_16_Untitled (Temple Frontage with Atomic Explosions), circa 1947
1947_17_Wheat Ear, 1947
1947_21_Jour de la Vierge, 1947
1948_01_The Elephants, 1948
1948_03_Portrait of Mrs. Mary Sigall, 1948
1948_04_Portrait of Nada Pachevich, 1948
1948_05_Untitled (Male Nude in a Landscape), 1948
1948_06_Untitled (Landscape), 1948
1948_07_Study for a Portrait (unfinished), circa 1948
1948_08_Leda Atomica (first unfinished version), 1948
1948_the_elephants_010050
1949_01_Leda Atomica, 1949
1949_02_The Madonna of Port Lligat (first version), 1949
1949_06_Set design for the ballet 'Los Sacos Del Molinero', 1949
1949_07_Set design for the ballet 'Los Sacos Del Molinero', 1949
1949_08_Set design for the ballet 'Los Sacos Del Molinero', 1949
1949_09_Set design for the ballet 'Los Sacos Del Molinero', 1949
1949_10_Set design for the ballet 'Los Sacos Del Molinero', 1949
1949_11_Set design for the ballet 'Los Sacos Del Molinero', 1949
1949_12_Four Armchairs in the Sky, 1949
1949_13_'La Turbie' - Sir James Dunn Seated, 1949
1949_first_study_for_the_madonna_of_port_lligat_010051
1949_leda_atomica_010052
1950_01_DalH at the Age of Six, 1950
1950_02_The Madonna of Port Lligat (second version), 1950
1950_04_Landscape of Port Lligat with Homely Angels and Fisherman, 1950
1950_05_The Madonna of Port Lligat (detail), 1950
1950_06_Landscape of Port Lligat, 1950
1950_09_Study for a Backdrop, circa 1950
1950_11_Backdrop for 'Don Juan Tenorio', 1950
1950_12_DalH's Moustache, 1950
1950_13_Erotic Beach, 1950
1950_22_Design for the death scene in 'Don Juan Tenorio', 1950
1950_23_Mystical Carnation, 1950-51
1950_24_Carnation and Cloth of Gold, 1950
1950_27_Cork (study for 'The Madonna of Port Lligat'), 1950
1950_madonna_of_port_lligat_010053
1951_01_Christ of Saint John of the Cross, 1951
1951_02_Raphaelesque Head Exploding, 1951
1951_05_Landscape with Cavalier and Gala, 1951
1951_07_The Queen of the Butterflies, 1951
1951_11_Celestial Coronation, circa 1951
1951_13_Explosive Madonna, 1951
1951_14_Portrait of Colonel Jack Warner, 1951
1951_15_Portrait of a Child (unfinished), 1951
1951_16_Portrait of Mrs. Jack Warner, 1951
1951_17_Portrait of Katharina Cornell, 1951
1951_21_Study for 'Christ of St. John of the Cross', 1951
1951_christ_of_saint_john_of_the_cross_010054
1952_01_Asummpta Corpuscularia Lapislazulina, 1952
1952_02_The Disintegration of Persistence of Memory, 1952-54
1952_03_Galatea of the Spheres, 1952
1952_04_Eucharistic Still Life, 1952
1952_05_Nuclear Cross, 1952
1952_07_The Angel of Port Lligat, 1952
1952_10_Opposition, 1952
1952_11_Arithmosophic Cross, 1952
1952_12_Madonna in Particles, 1952
1952_1954_the_disintegration_of_the_persistence_of_memory_010055
1952_19_The Tree, 1952
1952_20_The Angel of Port Lligat, 1952
1954_01_The Colossus of Rhodes, 1954
1954_02_Crucifixion ('Corpus Hypercubus'), 1954
1954_03_DalH Nude, 1954
1954_04_Rhinocerotic Disintegration of Illissus of Phidias, 1954
1954_05_Two Adolescents, 1954
1954_06_Young Virgin Auto-Sodomized by Her Own Chastity, 1954
1954_07_Noon (Barracks of Port Lligat), 1954
1954_09_Equestrian Fantasy - Portrait of Lady Dunn, 1954
1954_10_Portrait of Gala with Rhinocerotic Symptoms, 1954
1954_11_Microphysical Madonna, 1954
1954_12_Soft Watch at the Moment of First Explosion, 1954
1954_13_Gala Contemplating the Corpus Hypercubicus, 1954
1954_14_Crucifixion, 1954
1954_16_Head Bombarded with Grains of Wheat (Particle Head Over the Village of CadaquNs), 1954
1954_17_The Maximum Speed of Raphael's Madonna, 1954
1954_20_GalatNe, 1954
1954_21_The Lighthouse at Alexandria, 1954
1954_22_The Lighthouse at Alexandria, 1954
1954_23_The Walls of Babylon, 1954
1954_24_The Pyramids and the Sphynx of Gizeh, 1954
1954_26_Statue of Olympic Zeus, 1954
1954_27_Portrait of Mrs. Reeves, 1954
1954_28_Portrait of Mrs. Ann Woodward, 1954
1954_crucifixion_('hypercubic_body')_010056
1954_two_adolescents_010057
1954_young_virgin_autosodomized_by_her_own_chastity_010058
1955_01_The Last Supper, 1955
1955_02_Paranoiac-Critical Study of Vermeer's 'Lacemaker', 1955
1955_04_Portrait of Laurence Olivier in the Role of Richard III, 1955
1955_07_Ascensionist Saint Cecilia, 1955
1955_11_The Lacemaker (copy of the painting by Vermeer Van Delft), 1955
1955_13_Rhinocerotic Figures, 1955
1955_15_Blue Horns. Design for a Scarf, 1955
1955_16_Untitled (The Amazing Adventure of Vermeer's 'Lacemaker'), 1955
1955_17_Rhinocerotic Portrait of Vermeer's 'Lacemaker', 1955
1955_combat_010059
1955_the_last_supper_010060
1956_01_Nature Morte Vivante (Living Still Life), 1956
1956_02_Rhinocerotic Gooseflesh, 1956
1956_03_St. Helena of Port Lligat, 1956
1956_04_Saint Surrounded by Three Pi-Mesons, 1956
1956_05_Fancy Costumes, 1956
1956_07_The Skull of Zurbar6n, 1956
1956_08_Assumpta Canaveral, 1956
1956_09_Study for a fruit bowl in 'Still Life - Fast Moving', 1956
1956_11_The Motionless Swallow. Study for 'Still Life - Fast Moving', 1956
1956_12_Wine Glass and Boat, 1956
1956_13_Untitled (Landscape with Butterflies), circa 1956
1956_14_Anti-Protonic Assumption, 1956
1956_15_The Infant Jesus, 1956
1956_living_still_life_010061
1957_01_Santiago El Grande, 1957
1957_04_Rock 'n Roll, 1957
1957_05_Red Orchestra, 1957
1957_06_Untitled (Surrealist Landscape), 1957-58
1957_07_Metamorphosed Women - The Seven Arts, 1957
1957_08_Butterfly Landscape (The Great Masturbator in a Surrealist Landscape with D.N.A.), 1957-58
1957_09_Celestial Ride, 1957
1957_10_The Grand Opera, 1957
1957_11_Sorcery - The Seven Arts, 1957
1957_12_Modern Rhapsody - The Seven Arts, 1957
1957_14_The Duke of Urbino (Portrait of Count Theo Rossi Di Montelera), 1957
1958_01_The Discovery of America by Christopher Columbus, 1958-59
1958_02_Velazquez Painting the Infanta Margarita with the Lights and Shadows of His Own Glory, 1958
1958_03_The Sistine Madonna, 1958
1958_04_Angel, circa 1958
1958_05_Portraif of Chester Dale and His Dog Coco, 1958
1958_06_Meditative Rose, 1958
1958_07_The Sistine Madonna (detail), 1958
1958_08_Dionysus Spitting the Complete Image of CadaquNs on the Tip of the Tongue of a Three-Storied Gaudinian Woman, 1958-60
1958_10_Portrait of Sir James Dunn, 1958
1958_14_Clown for 'The Amazing Adventure of the Lacemaker and the Rhinoceros', 1958
1958_15_Detail from 'Moonlit Landscape with Accompaniment', 1958
1958_16_Metamorphosis of Hitler's Face into a Moonlit Landscape with Accompaniment, 1958
1958_17_Landscape Near Port Lligat, 1958
1958_1959_the_discovery_of_america_by_christopher_columbus_010062
1958_19_Cosmic Madonna, 1958
1958_20_Ascension, 1958
1958_21_Religious Scene in Particles, circa 1958
1958_23_Christ. From 'The Apocalypse of St. John', 1958
1958_26_The Ascension of Christ, 1958
1959_01_The Virgin of Guadalupe, 1959
1959_02_Port Lligat at Sunset, 1959
1959_04_The Vase of Cornflowers, 1959
1959_06_Portrait of Reinaldo Herrera Marquis De Torre Casa, 1959
1959_09_Woman Undressing, 1959
1959_10_Study for 'Woman Undressing', 1959
1959_virgin_of_guadalupe_010063
1960_01_Birth of a Divinity, 1960
1960_02_The Ecumenical Council, 1960
1960_04_Hyperxiological Sky, 1960
1960_06_The Life of Mary Magdalene, 1960
1960_08_The Servant of the Disciples at Emmaus, 1960
1960_09_San Salvador and Antonio Gaudi Fighting for the Crown of the Virgin, 1960
1960_10_Portrait of Juan de Pareja Repairing a String of His Mandolin, 1960
1960_11_A Propos of the 'Treatise on Cubic Form' by Juan de Herrera, 1960
1960_13_Birth of a Goddess, 1960
1960_14_The Cosmic Athlete, 1960
1960_16_Gala Nude From Behind Looking in an Invisible Mirror, 1960
1960_19_Untitled, circa 1960
1960_20_The Trinity (Study for 'The Ecumenical Council'), 1960
1960_21_St. Peter's in Rome (Explosion of Mystical Faith in the Midst of a Cathedral), 1960
1960_22_Portrait of St. Jerome, 1960
1960_23_Beatrice, 1960
1960_24_Two Religious Figures, 1960
1960_25_A Fate of the Parthenon, 1960
1960_26_Madonna, 1960
1960_27_The Maids-in-Waiting (Las Meninas; detail), 1960
1960_28_The Maids-in-Waiting (Las Meninas), 1960
1960_29_Figure In the Shape of a Cloud, circa 1960
1960_30_Female Seated Nude, circa 1960
1960_31_The Ecumenical Council, 1960
1960_32_Cathedral (unfinished), circa 1960
1960_33_Portrait of a Man (They Were There), 1960
1960_34_Portrait of 'Bobo' Rockefeller (unfinished), 1960
1960_35_Portrait of Countess Ghislaine d'Oultremont, 1960
1960_36_Portrait of Mrs. Fagen, 1960
1960_37_Untitled (The Lady of Avignon), circa 1960
1960_38_Arabs. Study for 'The Battle of Tetuan', 1960
1961_01_The Battle of Tetuan, 1961-62
1961_02_Portrait of a Woman - Grey Jacket Wearing a Pearl Necklace, circa 1961
1961_03_Leda's Swan (Leda and the Swan), 1961
1961_04_Study for 'The Battle of Tetuan', 1961
1961_05_Arabs. Study for 'The Battle of Tetuan', 1961
1961_06_Study for 'The Battle of Tetuan', 1961
1961_07_Mohammed's Dream (Homage to Fortuny), 1961
1961_08_The Infanta (Standing Woman), 1961
1962_01_Study of a Female Nude, circa 1962
1962_04_Arab, 1962
1962_05_Vision of Fatima, 1962
1962_06_Macrophotographic Self-Portrait with the Appearance of Gala, 1962
1962_07_Study for 'The Battle of Tetuan', 1962
1962_09_Twist in the Studio of Velazquez, 1962
1962_10_The Sacred Heart of Jesus, 1962
1962_11_St. George and the Dragon, 1962
1962_12_The Alchemist, 1962
1962_13_Portrait of Mr. Fagen, 1962
1962_14_Macrophotographic Self-Portrait with the Appearance of Gala (detail), 1962
1963_01_Portrait of My Dead Brother, 1963
1963_02_Galacidalacidesoxyribonucleicacid, 1963
1963_03_Hercules Lifts the Skin of the Sea and Stops Venus for an Instant from Waking Love, 1963
1963_04_Study for 'Fifty Abstract Pictures Which as Seen from Two Yards Change into Three Lenins Masquerading as Chinese and as Seen From Six Yards Appear as the Head of a Royal Bengal Tiger', 1963
1963_05_Arabs - the Death of Raymond Lulle, 1963
1963_06_Desoxyribonucleic Acid Arabs, circa 1963
1963_08_Study for Deoxyribonucleic Acid Arabs, circa 1963
1963_09_Study for Deoxyribonucleic Acid Arabs, 1963
1963_10_Arabs - the Death of Raimundus Lullus, 1963
1963_11_Mohammed's Dream, 1963
1963_12_Fifty Abstract Paintings Which as Seen from Two Yards Change into Three Lenins Masquerading as Chinese and as Seen from Six Yards Appear as the Head of a Royal Bengal Tiger, 1963
1963_13_Madonna with a Mystical Rose, 1963
1963_14_Untitled (Still Life with Lilies), 1963
1964_07_Untitled. Female Nude on a Palette, 1964
1964_08_Landscape with Flies, 1964
1964_09_Untitled (St. John), 1964
1965_01_The Railway Station at Perpignan, 1965
1965_04_Laocoon Tormented by Flies, 1965
1965_06_Homage to Meirronier, 1965
1965_09_Salvador DalH in the Act of Painting Gala in the Apotheosis of the Dollar, 1965
1965_10_'Character Masquerading in Pinning Up a Butterfly', 1965
1965_12_The Sun of DalH, 1965
1965_16_Portrait of Gala (Gala Against the Light), 1965
1965_24_Portrait of Mrs. Ruth Daponte, 1965
1965_27_Night in the Hotel (Abstract in Black and White), 1965
1965_28_Untitled (Apocalyptic Christ; Christ with Flames), 1965
1965_29_Untitled (St. John from Behind), 1965
1965_30_Crucifixion (Dedication; For Gala Queen of the Divine DalH), 1965
1966_01_Moses and the Pharaoh, 1966
1966_03_The Progress of 'Tuna Fishing', circa 1966-67
1966_04_Tuna Fishing (advanced State), circa 1966-67
1966_05_Tuna Fishing (advanced State), circa 1966-67
1966_06_Tuna Fishing (advanced State), circa 1966-67
1967_01_Tuna Fishing, 1967
1968_01_The Hallucinogenic Toreador, 1968-70
1968_02_The Patio of Port Lligat, 1968
1968_05_Mad Mad Mad Minerva - Illustration for 'Memories of Surrealism', circa 1968
1968_06_Fisherman of Port Lligat Mending His Net, 1968
1968_07_Tauromachia I - The Torero, the Kill (third and final round of the bullfight), 1968
1969_01_Toreo Noir, 1969
1969_02_Hour of the Monarchy, 1969
1969_03_The Swimming Pool in Port Lligat, 1969-70
1969_04_The Pool of Tears. Illustration for 'Alice in Wonderland' by Lewis Carroll in an Edition Published by Maecenas Press, New York, 1969
1969_05_Untitled (Surrealist Angel), circa 1969
1969_06_Untitled (Still Life with White Cloth), 1969
1969_07_Study of a Male Nude - Saint Sebastian, 1969
1969_1970_hallucinogenous_bullfighter_010064
1970_02_Portrait of John Theodoracopoulos, 1970
1970_05_Nude Figures at Cape Creus, 1970
1970_07_Study for the Decoration of the Ceiling in Pubol, circa 1970
1970_11_Roger Freeing Angelica (St. George and the Damsel), 1970
1970_12_Untitled (Michelangelo Head with Drawers), circa 1970
1970_14_Winged Victory, 1970
1970_18_Les Clemolselles D'Avignon (The Girls of Avignon), 1970
1970_20_The Dalinian Senyera (Catalonian National Flag), 1970
1970_21_The Horseman of the Apocalypse, 1970
1971_01_Ceiling of the Hall of Gala's Chateau at Pubol, 1971
1971_02_The Second Coming of Christ, 1971
1971_05_View of Pubol, 1971
1971_07_Caligula's Horse (DalH's Horses), circa 1971
1971_08_The Christian Knight (DalH's Horses), 1971
1971_11_Figure with Flag. Illustration for 'Memories of Surrealism', circa 1971
1971_13_Design for the Pool at Port Lligat, 1971
1971_14_The Second Coming of Christ, 1971
1971_15_Le Char d'Or, 1971
1971_president_lincoln_010065
1972_01_DalH from the Back Painting Gala from the Back Eternalized by Six Virtual Corneas Provisionally Reflected in Six Real Mirrors (unfinished), circa 1972-73
1972_02_Polyhedron. Basketball Players Being Transformed into Angels (Assembling a Hologram - the Central Element), 1972
1972_03_Overture in Trompe l'Oeil, circa 1972
1972_04_Palace of the Winds, circa 1972-73
1972_06_Trajan on Horseback, 1972
1972_07_Self-Portrait (Photomontage with the famous 'Mao-Marilyn' that Philippe Halsman created at DalH's wish), 1972
1972_08_Marilyn Monroe, 1972
1972_09_Radiators, Radiator-Covers, circa 1972
1972_10_The Face, 1972
1972_11_Space Eve, 1972
1972_12_Quantification of Leonardo de Vinci's 'Last Supper', circa 1972
1972_13_'DalH' Palette. Frontispiece for the outline of 'The Key DalH Paintings', 1972
1972_14_Gala's Dream (Dream of Paradise), circa 1972
1972_15_DalH from the Back Painting Gala from the Back Eternalized by Six Virtual Corneas Provisionally Reflected in Six Real Mirrors (unfinished), circa 1972-73
1972_17_The Sleeping Smoker, circa 1972-73
1972_18_The Sleeping Smoker, circa 1972-73
1972_19_Untitled (Stereoscopic Painting), 1972
1972_20_Palace of the Winds (ceiling painting in the Teatro Museo DalH; detail), 1972-73
1972_21_The Daughter of the West Wind, 1972
1973_02_Gala's Castle at Pubol, 1973
1973_06_Hitler Masturbating, 1973
1973_08_Ceiling of the 'Palace of the Wind', circa 1973
1973_12_Portrait of Dr. Brian Mercer, 1973
1973_13_Las Galas of Port Lligat, 1973
1973_14_The Prince of Sleep (El principe de ensueno), 1973-79
1974_01_Equestrian Portrait of Carmen Bordiu-Franco, 1974
1974_02_Battle in the Clouds, 1974
1974_03_Armchair with Landscape Painted for Gala's Chateau at Pubol, circa 1974
1974_04_To Meli, 1974
1974_05_Wounded Soft Watch, 1974
1974_09_Ruggiero Freeing Angelica, 1974
1974_10_The Palace of the Wind, 1974
1974_11_The Palace of the Wind, 1974
1974_13_Transformation of 'Antiques' Magazine Cover into the Apparition of a Face, 1974
1974_15_Gala's Foot (left panel), 1974
1974_16_Gala's Foot (right panel), 1974
1974_22_Cranach Metamorphosis (Woman in a Mirror), 1974
1974_25_Gala Contemplating the Mediterranean Sea Which at Twenty Meters Becomes the Portrait of Abraham Lincoln - Homage to Rothko (first version), circa 1974-75
1975_01_The Chair (stereoscopic work, right component), 1975
1975_06_The Chair (stereoscopic work, left component), 1975
1975_08_Lullus - Homage to Raimundus Lullus (design for a ceiling painting), 1975
1976_01_Gala Contemplating the Mediterranean Sea Which at Twenty Meters Becomes the Portrait of Abraham Lincoln - Homage to Rothko (second version), 1976
1976_02_Soft Monster (Monstruo blando adormercido), 1976
1976_03_Portrait of Gala, 1976-77
1976_12_The Unicorn (unfinished), 1976
1976_14_The Wash Basin (stereoscopic work, left component), 1976
1976_15_The Wash Basin (stereoscopic work, right component), 1976
1976_16_The Chair (stereoscopic work, left component), 1976
1976_17_The Chair (stereoscopic work, right component), 1976
1976_20_Las Meninas (The Maids-in-Waiting) (stereoscopic work, left component), 1976-77
1976_21_Las Meninas (The Maids-in-Waiting) (stereoscopic work, right component), 1976-77
1977_01_DalH's Hand Drawing Back the Golden Fleece in the Form of a Cloud to Show Gala the Dawn, Completely Nude, Very, Very Far Away Behind the Sun (stereoscopic work, right component), 1977
1977_02_The Happy Unicorn, 1977
1977_03_DalH Lifting the Skin of the Mediterranean Sea to Show Gala the Birth of Venus (stereoscopic work, right component), 1977
1977_04_Portrait of Gala, circa 1977
1977_05_The Wash Basin (stereoscopic work, right component), 1976
1977_09_Head (stair-way in the museum), 1977
1977_10_Soft Skulls with Fried Egg Without the Plate, Angels and Soft Watch in an Angelic Landscape, 1977
1977_11_Nike, Victory Goddess of Samothrace, Appears in a Tree Bathed in Light, circa 1977
1977_12_Aurora's Head, After Michelangelo (detail of a Figure on the Grave of Lorenzo Di Medici), 1977
1977_13_Surrealist Angel, circa 1977
1977_15_Fertility, 1977
1977_20_Las Meninas (The Maids-in-Waiting) - first metaphysical hyper-realist painting (unfinished), 1977
1977_21_Randomdot Correlogram - The Golden Fleece (stereoscopic work, left component; unfinished), circa 1977
1977_22_Randomdot Correlogram - The Golden Fleece (stereoscopic work, right component; unfinished), circa 1977
1977_23_DalH's Hand Drawing Back the Golden Fleece in the Form of a Cloud to Show Gala the Dawn, Completely Nude, Very, Very Far Away Behind the Sun (stereoscopic work, left component), 1977
1978_01_Cybernetic Odalisque, 1978
1978_02_Gala's Christ (stereoscopic work, right component), 1978
1978_03_The Harmony of the Spheres, 1978
1978_04_Allegory of Spring, 1978
1978_05_Ampurdanese Landscape, 1978
1978_07_Woman with Egg and Arrows, circa 1978
1978_08_Gala's Christ (stereoscopic work, left component), 1978
1978_09_The Eye of the Angelus (stereoscopic work, left component; unfinished), 1978
1978_10_The Eye of the Angelus (stereoscopic work, right component; unfinished), 1978
1978_11_Stereoscopic Composition, Based on Millet's 'Angelus' (unfinished), circa 1978
1978_12_Stereoscopic Composition, Based on Millet's 'Angelus' (unfinished), circa 1978
1978_13_Pierrot Lunaire (stereoscopic work, unfinished), 1978
1978_14_Landscape Near Ampurdan, 1978
1978_16_Dark Tapeworms, circa 1978
1979_01_Searching for the Fourth Dimension, 1979
1979_02_A Soft Watch Put in the Appropriate Place to Cause a Young Ephebe to Die and Be Resuscitated by Excess of Satisfaction (unfinished), 1979
1979_03_Dawn, Noon, Sunset, and Twilight, 1979
1979_05_More Beautiful than Canova, 1979
1979_06_Battle in the Clouds (stereoscopic work, left component), 1979
1979_07_Battle in the Clouds (stereoscopic work, right component), 1979
1979_08_Athens Is Burning! The School of Athens and the Fire in the Borgo (stereoscopic work, left component), 1979-80
1979_09_Pentagonal Sardana (stereoscopic work, left component), 1979
1979_10_Pentagonal Sardana (stereoscopic work, right component), 1979
1979_11_Long Live the Station at Perpignan, Long Live Figueras, 1979
1979_12_Phosphene, 1979
1979_13_Raphaelesque Hallucination, 1979
1979_14_Nude and Horse with Metamorphosis (unfinished), circa 1979
1979_15_Three Graces of Canova (unfinished), 1979
1979_16_Study for 'Compianto Diabele' by Canova (unfinished), circa 1979
1979_17_Athens Is Burning! The School of Athens and the Fire in the Borgo (stereoscopic work, right component), 1979-80
1979_18_Copy of a Rubens Copy of a Leonardo, 1979
1980_02_Untitled (Landscape with Celestial Beings), 1980
1980_03_The Cheerful Horse, 1980
1980_04_Sleeping Young Narcissus, 1980
1980_05_Untitled (Bridge with Reflections; sketch for a dual image picture, unfinished), 1980
1980_06_Arabs, 1980
1980_07_Group Surrounding a Reclining Nude - Velazquez, 1980-81
1980_08_Arabs, 1980
1981_01_Apparition of the Visage of Aphrodite of Cnide in a Landscape, 1981
1981_02_The Path of Enigmas (second version), 1981
1981_03_The Pearl, 1981
1981_04_The Towers, 1981
1981_05_Hermes, 1981
1981_06_The Tower of Enigmas, circa 1981
1981_07_Tower, 1981
1981_08_Mercury and Argos, 1981
1981_09_The Garden of Hours, 1981
1981_10_Great Tapeworm Masturbator, Appears Behind Arcades, 1981
1981_11_Seated Figure Contemplating a 'Great Tapeworm Masturbator', 1981
1981_12_Tower, 1981
1981_13_Ready-to-wear Fashion for Next Spring; 'Garlands, Nests and Flowers', 1981
1981_14_The Gaseous Swan, 1981
1981_15_Amphitrite, 1981
1981_16_The Path of Enigmas (first version), 1981
1981_17_Argus, circa 1981
1981_18_Medea or Jason Taking Possession of the Golden Fleece, 1981
1981_19_Landscape, 1981
1981_20_Landscape with Rock in the Shape of a Triumphal Arch, 1981
1981_21_Jason Carrying the Golden Fleece (unfinished), circa 1981
1981_22_The Exterminating Angels, 1981
1981_23_Untitled (Female Bust with Draped Cloth), 1981
1981_24_Figures (Scene after Goya), 1981
1981_25_Woman on a Ram, 1981
1981_26_Untitled (Head of a Woman; unfinished), 1981
1981_27_Untitled (Skin of a Beach), 1981
1981_28_Reading. Family Scene by Lamplight, 1981
1981_29_Untitled (Imaginary Landscape at Pubol), 1981
1981_30_Spanish Nobleman with a Cross of Brabant on His Jerkin, 1981
1981_31_Three Female Figures in Festive Gowns, 1981
1981_32_Gala in a Patio Watching the Sky, Where the Equestrian Figure of
PrinceBaltasar Carlos and Several Constellations (All) Appear, after Velazquez, 1981
1981_33_Classic Figure and Head (unfinished), 1981-82
1982_01_Figure Inspired by the Adam of the Ceiling of the Sistine Chapel, 1982
1982_02_The Infanta Margarita of Velazquez Appearing in the Silhouette of Horsemen in the Courtyard of the Escorial, 1982
1982_03_Pieta, 1982
1982_04_Pieta, 1982
1982_05_The Three Glorious Enigmas of Gala, 1982
1982_06_Velazquez Dying Behind the Window on the Left Side Out of Which a Spoon Projects, 1982
1982_07_Warrior, 1982
1982_08_Saint Sebastian, 1982
1982_09_Ole, 1982
1982_13_Othello Dreaming Venice, 1982
1982_14_Untitled (After 'The Day' by Michelangelo), 1982
1982_15_Untitled (After 'The Night' by Michelangelo), 1982
1982_16_Double Victory of Gaudi, 1982
1982_17_Architectural Contortion of El Escorial, 1982
1982_18_El Escorial and Catastrophe-Form Calligraphy, 1982
1982_19_The Three Glorious Enigmas of Gala (second version), 1982
1982_20_Velazquez and a Figure, 1982
1982_21_Untitled - Equestrian Figure of Prince Baltasar Carlos, after Velazquez, with Figures in the Courtyard of the Escorial, 1982
1982_22_Don Jose Nieto Velazquez from 'Las Meninas' by Velazquez, Musec, Del Prado, Madrid, 1982
1982_23_Untitled (Composition - Courtyard of the Escorial with Figure and Sebastian De Morra, Veldzquez's Dwarf), 1982
1982_24_In the Courtyard of the Escorial, the Silhouette of Sebastian De Morra, in which the Face of Gala, Surrounded by Catastrophic Signs, Appears (stereoscopic work, unfinished), 1982
1982_25_Sebastian de Morra with Catastrophic Signs (stereoscopic work, unfinished), 1982
1982_26_Untitled (first study for 'The Three Glorious Enigmas of Gala'), 1982
1982_27_Study for 'Ole' (unfinished), 1982
1982_28_Enigma (unfinished version of 'The Three Glorious Enigmas of Gala'), 1982
1982_29_After the Head of 'Giuliano di Medici', Florence, 1982
1982_30_Head, after Michelangelo's, 'Giuliano di Medici', 1982
1982_31_Exploded Head, 1982
1982_32_Topological Study for 'Exploded Head', 1982
1982_33_After Michelangelo's 'Squatting Child', 1982
1982_34_'Giuliano di Medici' by Michelangelo, Seen from Behind, 1982
1982_35_After Michelangelo's 'Moses', on the Tomb of Julius II in Rome, 1982
1982_36_Rock Figure after the Head of Christ in the 'Pieta' of Palestrina by Michelangelo, 1982
1982_37_Untitled - Nude Figures after Michelangelo, 1982
1982_38_Figure in the Water - After a Drawing by Michelangelo for the 'Resurrection of Christ', 1982
1982_39_Figure after Michelangelo's 'Dawn' on the Tomb of Lorenzo di Medici, 1982
1982_40_Scene in the Courtyard of the Escorial with a Figure in the Foreground Inspired by Michelangelo's 'Evening' on the Tomb of Lorenzo di Medici, 1982
1982_41_Landscape with Hidden Image of Michelangelo's 'David', 1982
1982_42_Atmospherocephalic Figures, 1982
1982_43_Mirror Women - Mirror Heads, 1982
1982_44_Martyr - Inspired by the Sufferings of DalH in His Illness, 1982
1983_01_Topological Contortion of a Female Figure Becoming a Violoncello, 1983
1983_02_The Swallowtail, 1983
1983_03_Bed and Two Bedside Tables Ferociously Attacking a Cello (Final Stage), 1983
1983_04_Cutlet and Match - The Chinese Crab, 1983
1983_05_Topological Abduction of Europe - Homage to Rene Thom, 1983
1983_07_Bed and Two Bedside Tables Ferociously Attacking a Cello, 1983
1983_08_Bed and Two Bedside Tables Ferociously Attacking a Cello, 1983
1983_14_Untitled (Figures, Pieta, Catastrophic Signs), 1983
1983_15_Head Inspired by Michelangelo, 1983
1983_16_Bed and Two Bedside Tables Ferociously Attacking a Cello (last state), 1983
1983_17_Bed and Bedside Table Ferociously Attacking a Cello, 1983
1983_18_St. George Overpowering a Cello, 1983
1983_19_Bed, Chair and Bedside Table Ferociously Attacking a Cello, 1983
1983_20_Warrior Mounted on an Elephant Overpowering a Cello, 1983
1983_21_Pieta, 1983
1983_22_The Truck (We'll be arriving later, about five o'clock), 1983
1983_23_Topological Contortion of a Female Figure, 1983
1983_24_Untitled - Head of a Spanish Nobleman, Fashioned by the Catastrophe Model from a Swallow's Tail and Two Halves of a Cello, 1983
About the Author:
Jim Byrd is an author who buysBreitling For Bentley Watches and collects famous Paintings By Salvador Dali.